Letters to Dead Authors [38]
your circle. This curious fascination has attracted round your memory a feeble folk of commentators, biographers, anecdotists, and others of the tribe. They swarm round you like carrion-flies round a sensitive plant, like night-birds bewildered by the sun. Men of sense and taste have written on you, indeed; but your weaker admirers are now disputing as to whether it was your heart, or a less dignified and most troublesome organ, which escaped the flames of the funeral pyre. These biographers fight terribly among themselves, and vainly prolong the memory of "old unhappy far-off things, and sorrows long ago." Let us leave them and their squabbles over what is unessential, their raking up of old letters and old stories.
The town has lately yawned a weary laugh over an enemy of yours, who has produced two heavy volumes, styled by him "The Real Shelley." The real Shelley, it appears, was Shelley as conceived of by a worthy gentleman so prejudiced and so skilled in taking up things by the wrong handle that I wonder he has not made a name in the exact science of Comparative Mythology. He criticises you in the spirit of that Christian Apologist, the Englishman who called you "a damned Atheist" in the post-office at Pisa. He finds that you had "a little turned-up nose," a feature no less important in his system than was the nose of Cleopatra (according to Pascal) in the history of the world. To be in harmony with your nose, you were a "phenomenal" liar, an ill-bred, ill-born, profligate, partly insane, an evil-tempered monster, a self-righteous person, full of self- approbation--in fact you were the Beast of this pious Apocalypse. Your friend Dr. Lind was an embittered and scurrilous apothecary, "a bad old man." But enough of this inopportune brawler.
For Humanity, of which you hoped such great things, Science predicts extinction in a night of Frost. The sun will grow cold, slowly--as slowly as doom came on Jupiter in your "Prometheus," but as surely. If this nightmare be fulfilled, perhaps the Last Man, in some fetid hut on the ice-bound Equator, will read, by a fading lamp charged with the dregs of the oil in his cruse, the poetry of Shelley. So reading, he, the latest of his race, will not wholly be deprived of those sights which alone (says the nameless Greek) make life worth enduring. In your verse he will have sight of sky, and sea, and cloud, the gold of dawn and the gloom of earthquake and eclipse. He will be face to face, in fancy, with the great powers that are dead, sun, and ocean, and the illimitable azure of the heavens. In Shelley's poetry, while Man endures, all those will survive; for your "voice is as the voice of winds and tides," and perhaps more deathless than all of these, and only perishable with the perishing of the human spirit.
LETTER--To Monsieur de Moliere, Valet de Chambre du Roi
Monsieur,--With what awe does a writer venture into the presence of the great Moliere! As a courtier in your time would scratch humbly (with his comb!) at the door of the Grand Monarch, so I presume to draw near your dwelling among the Immortals. You, like the king who, among all his titles, has now none so proud as that of the friend of Moliere--you found your dominions small, humble, and distracted; you raised them to the dignity of an empire: what Louis XIV. did for France you achieved for French comedy; and the baton of Scapin still wields its sway though the sword of Louis was broken at Blenheim. For the King the Pyrenees, or so he fancied, ceased to exist; by a more magnificent conquest you overcame the Channel. If England vanquished your country's arms, it was through you that France ferum victorem cepit, and restored the dynasty of Comedy to the land whence she had been driven. Ever since Dryden borrowed "L'Etourdi," our tardy apish nation has lived (in matters theatrical) on the spoils of the wits of France.
In one respect, to be sure, times and manners have altered. While you lived, taste kept the French drama pure; and it was the congenial business of English playwrights to
The town has lately yawned a weary laugh over an enemy of yours, who has produced two heavy volumes, styled by him "The Real Shelley." The real Shelley, it appears, was Shelley as conceived of by a worthy gentleman so prejudiced and so skilled in taking up things by the wrong handle that I wonder he has not made a name in the exact science of Comparative Mythology. He criticises you in the spirit of that Christian Apologist, the Englishman who called you "a damned Atheist" in the post-office at Pisa. He finds that you had "a little turned-up nose," a feature no less important in his system than was the nose of Cleopatra (according to Pascal) in the history of the world. To be in harmony with your nose, you were a "phenomenal" liar, an ill-bred, ill-born, profligate, partly insane, an evil-tempered monster, a self-righteous person, full of self- approbation--in fact you were the Beast of this pious Apocalypse. Your friend Dr. Lind was an embittered and scurrilous apothecary, "a bad old man." But enough of this inopportune brawler.
For Humanity, of which you hoped such great things, Science predicts extinction in a night of Frost. The sun will grow cold, slowly--as slowly as doom came on Jupiter in your "Prometheus," but as surely. If this nightmare be fulfilled, perhaps the Last Man, in some fetid hut on the ice-bound Equator, will read, by a fading lamp charged with the dregs of the oil in his cruse, the poetry of Shelley. So reading, he, the latest of his race, will not wholly be deprived of those sights which alone (says the nameless Greek) make life worth enduring. In your verse he will have sight of sky, and sea, and cloud, the gold of dawn and the gloom of earthquake and eclipse. He will be face to face, in fancy, with the great powers that are dead, sun, and ocean, and the illimitable azure of the heavens. In Shelley's poetry, while Man endures, all those will survive; for your "voice is as the voice of winds and tides," and perhaps more deathless than all of these, and only perishable with the perishing of the human spirit.
LETTER--To Monsieur de Moliere, Valet de Chambre du Roi
Monsieur,--With what awe does a writer venture into the presence of the great Moliere! As a courtier in your time would scratch humbly (with his comb!) at the door of the Grand Monarch, so I presume to draw near your dwelling among the Immortals. You, like the king who, among all his titles, has now none so proud as that of the friend of Moliere--you found your dominions small, humble, and distracted; you raised them to the dignity of an empire: what Louis XIV. did for France you achieved for French comedy; and the baton of Scapin still wields its sway though the sword of Louis was broken at Blenheim. For the King the Pyrenees, or so he fancied, ceased to exist; by a more magnificent conquest you overcame the Channel. If England vanquished your country's arms, it was through you that France ferum victorem cepit, and restored the dynasty of Comedy to the land whence she had been driven. Ever since Dryden borrowed "L'Etourdi," our tardy apish nation has lived (in matters theatrical) on the spoils of the wits of France.
In one respect, to be sure, times and manners have altered. While you lived, taste kept the French drama pure; and it was the congenial business of English playwrights to