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By Root 1346 0

It’s like in Alien, we meet the crew of the Nostromo doing their jobs in this very blue-collar environment. They’re truckers, right? Why is there a room in the Nostromo where water leaks down off of chains suspended from the ceiling? Because it looks cool and makes the world feel a little messy. It gives you the feel of the world. Ridley Scott doesn’t explain why that room exists, and when most people watch the film, it never even occurs to them to ask. What kind of drive does the Nostromo use? I bet no one walked out of the film asking that question. I wanted to tell a story about humans living and working in a well-populated solar system. I wanted to convey a feeling of what that would be like, and then tell a story about the people who live there.

So how does the Epstein drive work?

Very well. Efficiently.

In your acknowledgments you thank the New Mexico Critical Mass writers group. What effect did having that workshop environment have on your work?

Well, Critical Mass is a lot more than a workshop or critical group. It’s more like a writer’s mafia. Just about anything you might need, someone in the group can get it for you. Walter Jon Williams, who wrote the brilliant Dread Empire’s Fall space opera series, was there to give important tips about writing in that genre. S. M. Stirling and Victor Milan write some of best action in the business, and there was a lot of action for them to critique. Ian Tregillis is an actual astrophysicist and made himself available for technical questions. Melinda Snodgrass is pretty much the Yoda of letting you know when you’ve wandered too far away from your plot. And the entire group, including Emily Mah, Terry England, and George R. R. Martin, was there to read and critique the early drafts of the book, and a lot of changes were made based on their advice.

You’ve worked with George R. R. Martin a lot in the past. What kind of advice did he have for this project?

Yes, I’ve done a number of projects with him in one incarnation or another. In this case, he was mostly just encouraging. He likes old-fashioned space opera, and he followed my progress on the book with great interest. He was also the first to read the final version. He was very complimentary. He said at one point that it was the best book about vomit zombies he’d ever read. That was nice.

Where do you see the Expanse series going from here?

Well, I’m contracted with Orbit for at least two more books. They are titled Caliban’s War and Dandelion Sky. I hope to keep exploring the idea of human expansion into the solar system and beyond, and balancing the very real threats that the galaxy poses for the fledgling human diaspora against the threats that those same humans will bring with them. For up-to-date information on what I’m up to and where the project is headed, people can visit www.the-expanse.com and get the latest.

introducing

If you enjoyed LEVIATHAN WAKES,

look out for

CALIBAN’S WAR

Book Two of The Expanse

by James S. A. Corey

“Snoopy’s out again,” Private Hillman said. “I think his CO must be pissed at him.”

Gunnery Sergeant Roberta Draper of the Martian Marine Corps upped the magnification on her armor’s heads-up display and looked in the direction Hillman was pointing. Twenty-five hundred meters away, a squad of four United Nations marines were tromping around their outpost, backlit by the giant greenhouse dome they were guarding. A greenhouse dome identical in nearly all respects to the dome that was behind her.

One of the four UN marines had black smudges on the sides of his helmet that looked like beagle ears.

“Yep, that’s Snoopy,” Bobbie said. “Been on every patrol detail so far today. Wonder what he did.”

Guard duty around the greenhouses on Ganymede meant doing what you could to keep your mind occupied. Including speculating on the lives of the marines on the other side.

The other side. Eighteen months before, there hadn’t been sides. The inner planets had all been one big, happy, slightly dysfunctional family. Then the Eros incident, and now the two superpowers were dividing