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Libra - Don Delillo [38]

By Root 1283 0
sex or afterward?”

“While having sex is not interesting. Moany-groany love talk. No, afterward, now.”

“Do you think we’ve been saying the wrong things all these years?”

“Wouldn’t you like to overhear? I don’t want to watch other people. I want to listen.”

“They talk about wanting a cigarette.”

“Who was that on the phone?”

“ ‘Where are my cigarettes?’ That’s what they say.”

“He wouldn’t tell me his name.”

“Larry Parmenter. You remember him. Somebody’s house in Miami.”

“Kind of just barely.”

“Maybe three years ago.”

“What did he want to talk about?”

“Curious lady.”

“Some nights I need to be held. Tonight I’m a listener. So nice to lie in rumpled sheets and listen. Cover me with words. We’re two gossipy bodies alone in the night. Tell me what you talked about.”

“Very sexy stuff.”

“Oh sure really.”

“U-2 planes. The planes that spotted the missiles the Soviets were putting into Cuba. We used to call the photos pornography. The photo interpreters would gather to interpret. ‘Let’s see what kind of pornography we pulled in today.’ Kennedy looked at the pictures in his bedroom as a matter of fact.”

“Talk,” she said.

“Spy planes, drone aircraft, satellites with cameras that can see from three hundred miles what you can see from a hundred feet. They see and they hear. Like ancient monks, you know, who recorded knowledge, wrote it painstakingly down. These systems collect and process. All the secret knowledge of the world.”

“Isn’t it one of the best things there is, feeling the air on your body on a night like this?”

“I’ll tell you what it means, these orbiting sensors that can hear us in our beds. It means the end of loyalty. The more complex the systems, the less conviction in people. Conviction will be drained out of us. Devices will drain us, make us vague and pliant.”

Years together, years of transience, cover operations, plausible denials, dead silences had given Mary Frances no reason to believe she would ever know exactly what kind of secrets Win was keeping at a given time, which meant there was something welcome in these moments of wordiness, in the shape and range of his meanders. She encouraged him to tell her whatever he could about subjects and developments close to his work, or simply things on his mind—encouraged him tacitly, creating receptive fields around him, stillnesses. A wifely labor as natural to her as choosing curtains. By now she was adept at discharging an air of shy curiosity and although there was no longer any real work for him to do, she still wanted to know, wanted badly to hear. But tonight it happened that she fell asleep, drifting lightly off, twisted in a bedsheet, one arm swept across his chest. He listened to the radio, a man preaching the gospel in a bright clear voice, a thrilling voice, youthful, assured. Yes yes yes yes. God is alive and well in Texas.

He would put someone together, build an identity, a skein of persuasion and habit, ever so subtle. He wanted a man with believable quirks. He would create a shadowed room, the gunman’s room, which investigators would eventually find, exposing each fact to relentless scrutiny, following each friend, relative, casual acquaintance into his own roomful of shadows. We lead more interesting lives than we think. We are characters in plots, without the compression and numinous sheen. Our lives, examined carefully in all their affinities and links, abound with suggestive meaning, with themes and involute turnings we have not allowed ourselves to see completely. He would show the secret symmetries in a nondescript life.

An address book with ambiguous leads. Photographs expertly altered (or crudely altered). Letters, travel documents, counterfeit signatures, a history of false names. It would all require a massive decipherment, a conversion to plain text. He envisioned teams of linguists, photo analysts, fingerprint experts, handwriting experts, experts in hairs and fibers, smudges and blurs. Investigators building up chronologies. He would give them the makings of deep chronos, lead them to basement rooms in windy industrial slums,

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