Libra - Don Delillo [83]
There was Oswald’s correspondence with the national director of the Fair Play for Cuba Committee.
There was socialist literature strewn about. Speeches by Fidel Castro. A booklet with a Castro quotation on the cover: “The Revolution Must Be a School of Unfettered Thought.” Copies of the Militant and the Worker. A booklet, The Coming American Revolution. Another, Ideology and Revolution, by Jean-Paul Sartre. Books and pamphlets in Russian. Flash cards with Cyrillic characters. A stamp album. A twelve-page handwritten journal with the title “Historic Diary.”
There was correspondence with the Socialist Workers Party.
A novel, The Idiot, in Russian.
There was a pamphlet titled The Crime Against Cuba. On the inside back cover Mackey found a stamped address: 544 Camp St.
There was a draft card in the name Lee H. Oswald. There was a draft card in the name Alek James Hidell.
There was a passport issued to Lee H. Oswald. A vaccination certificate stamped Dr. A. J. Hideel. A certificate of service, U.S. Marines, for Alek James Hidell.
There were forms filled out in the names Osborne, Leslie Oswald, Aleksei Oswald.
There was a membership card, Fair Play for Cuba Committee, New Orleans chapter. Lee H. Oswald is the member. A. J. Hidell is the chapter president. The signatures, according to Mackey, were not in the same hand.
A magazine photo of Castro was fixed to a wall with Scotch tape.
There was the room itself. Mackey had found most of these materials in a kind of storeroom off the living room. Small, dark, shabby, a desperate place, the gunman’s perfect hutch, with roaches on display along the baseboards.
Everett had wanted only a handwriting sample, a photograph. With these he could begin to construct the illustrated history of his subject, starting with a false name. He’d looked forward to thinking up a name, just the right name, just the spoken texture of a drifter’s time on earth.
Oswald had names. He had his own names. He had variations of names. He had forged documents. Why was Everett playing in his basement with scissors and paste? Oswald had his own copying method, his own implements of forgery. Mackey said he’d used a camera, an opaque pigment, retouched negatives, a typewriter, a rubber stamping kit.
He called the work sloppy. But Everett was not inclined to fault the boy on technicalities (Hidell, Hideel). The question was a larger one, obviously. What was he doing with all that fabricated paper, with Minox camera buried at the back of a closet?
Everett flung both arms out briefly to free his shirt from his damp skin. He searched the room for cigarettes. It seemed there were more questions than actions these past days, and more bitterness than questions. The thing about bitterness is that you can work on it, purify the anguish and the rancor. It is an experience that holds out promise of perfection.
Lancer is back from Berlin.
It was coming back down to pure rancor, to this business of honing and refining. It was this business of how much they’d reduced his sense of worth. It was a question of measurement. It was a question of what they’d done to him. It was this business of sitting in his office in the Old Main and working on his rage.
The last thing Mackey saw, leaving the apartment, was a James Bond novel on a table by the door.
Nicholas Branch has unpublished state documents, polygraph reports, Dictabelt recordings from the police radio net on November 22. He has photo enhancements, floor plans, home movies, biographies, bibliographies, letters, rumors, mirages, dreams. This is the room of dreams, the room where it has taken him all these years to learn that his subject is not politics or violent crime but men in small rooms.
Is he one of them now? Frustrated, stuck, self-watching, looking for a means of connection, a way to break out. After Oswald, men in America are no longer required to lead lives of quiet desperation. You apply for a credit card, buy a handgun, travel through cities, suburbs and shopping malls, anonymous, anonymous, look ing for a chance to take a