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Life in a Medieval Village - Frances Gies [36]

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the house has retained the studs of the medieval partition that divided it into two rooms, and the framing of the window wall. Upper story and chimney were added in the seventeenth century, and the walls have been largely rebuilt. Royal Commission on the Historic Monuments of England.


by the manorial court. In Elton in 1306, Aldusa Chapleyn had to find pledges to guarantee that she would “before the next court repair her dwelling house in as good a condition as she received it.”3 Two years later, William Rouvehed was similarly enjoined to “repair and rebuild his dwelling house in as good a condition as that in which he received it for a gersum [entry fee],”4 and in 1331 three villagers were fined 12 pence each because they did not “maintain [their] buildings.”5

All the village houses belonged to the basic type of medieval building, the “hall,” as did the manor house, the barns, and even the church: a single high-ceilinged room, varying in size depending on the number of bays or framed sections. In peasants’ houses, bays were usually about fifteen feet square.6

The house of a rich villager such as John of Elton might

Outline of foundation of house at Wharram Percy, with entry in middle of long side.


consist of four or even five bays, with entry in the middle of a long side. Small service rooms were probably partitioned off at one end: a buttery, where drink was kept, and a pantry, for bread, dishes, and utensils, with a passage between leading to a kitchen outside. A “solar,” a second story either above the service rooms or at the other end, may have housed a sleeping chamber. A large hall might retain the ancient central hearth, or be heated by a fireplace with a chimney fitted into the wall. Early halls were aisled like churches, with the floor space obstructed by two rows of posts supporting the roof. Cruck construction had partially solved the problem, and by the end of the thirteenth century, carpenters had rediscovered the roof truss, known to the Greeks and Romans. Based on the inherent strength of the triangle, which resists distortion, the truss can support substantial weight.7

A middle-level peasant, a virgater such as Alexander atte Cross, probably lived in a three-bay house, the commonest type. A cotter like Richard Trune might have a small one- or two-bay house. Dwellings commonly still lodged animals as well as human beings, but the byre was more often partitioned off and sometimes positioned at right angles to the living quarters, a configuration that pointed to the European farm complex of the future, with house and outbuildings ringing a central court.8

Interiors were lighted by a few windows, shuttered but unglazed, and by doors, often open during the daytime, through which children and animals wandered freely. Floors were of beaten earth covered with straw or rushes. In the center, a fire of wood, or of peat, commonly used in Elton,9 burned on a raised stone hearth, vented through a hole in the roof. Some hearths were crowned by hoods or funnels to channel the smoke to the makeshift chimney, which might be capped by a barrel with its ends knocked out. The atmosphere of the house was perpetually smoky from the fire burning all day as water, milk, or porridge simmered in pots on a trivet or in footed brass or iron kettles. At night a fire-cover, a large round ceramic lid with holes, could be put over the blaze.10

A thirteenth-century writer, contrasting the joys of a nun’s life with the trials of marriage, pictured the domestic crisis of a

Woman stirs footed pot on central hearth while holding baby. Trinity College, Cambridge, Ms. B 11.22, f. 25v.

Central hearth of house in reconstruction of Anglo-Saxon settlement at West ow.


wife who hears her child scream and hastens into the house to find “the cat at the bacon and the dog at the hide. Her cake is burning on the [hearth] stone, and her calf is licking up the milk. The pot is boiling over into the fire, and the churl her husband is scolding.”11

Medieval sermons, too, yield a glimpse of peasant interiors: the hall “black with

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