Life of John Sterling [96]
Let us trace his remote footsteps, as we have opportunity:--
_To Dr. Symonds, Clifton_.
"_Falmouth, June 28th_, 1841.--Newman writes to me that he is gone to the Rhine. I wish I were! And yet the only 'wish' at the bottom of my heart, is to be able to work vigorously in my own way anywhere, were it in some Circle of Dante's Inferno. This, however, is the secret of my soul, which I disclose only to a few."
_To his Mother_.
"_Falmouth, July 6th_, 1841.--I have at last my own study made comfortable; the carpet being now laid down, and most of my appurtenances in tolerable order. By and by I shall, unless stopped by illness, get myself together, and begin living an orderly life and doing my daily task. I have swung a cot in my dressing-room; partly as a convenience for myself, partly as a sort of memorial of my poor Uncle, in whose cot in his dressing-room at Lisworney I remember to have slept when a child. I have put a good large bookcase in my drawing-room, and all the rest of my books fit very well into the study."
_To Mr. Carlyle_.
"_July 6th_.--No books have come in my way but Emerson's, which I value full as much as you, though as yet I have read only some corners of it. We have had an Election here, of the usual stamp; to me a droll 'realized Ideal,' after my late metrical adventures in that line. But the oddest sign of the Times I know, is a cheap Translation of Strauss's _Leben Jesu_, now publishing in numbers, and said to be circulating far and wide. What does--or rather, what does not--this portend?"--
With the Poem called _The Election_, here alluded to, which had been more than once revised and reconsidered, he was still under some hesitations; but at last had well-nigh resolved, as from the first it was clear he would do, on publishing it. This occupied some occasional portion of his thoughts. But his grand private affair, I believe, was now _Strafford_; to which, or to its adjuncts, all working hours were devoted. Sterling's notions of Tragedy are high enough. This is what he writes once, in reference to his own task in these weeks: "Few, I fancy, know how much harder it is to write a Tragedy than to realize or be one. Every man has in his heart and lot, if he pleases, and too many whether they please or no, all the woes of OEdipus and Antigone. But it takes the One, the Sophocles of a thousand years, to utter these in the full depth and harmony of creative song. Curious, by the way, how that Dramatic Form of the old Greek, with only some superficial changes, remains a law not only for the stage, but for the thoughts of all Poets; and what a charm it has even for the reader who never saw a theatre. The Greek Plays and Shakspeare have interested a hundred as books, for one who has seen their writings acted. How lightly does the mere clown, the idle school-girl, build a private theatre in the fancy, and laugh or weep with Falstaff and Macbeth: with how entire an oblivion of the artificial nature of the whole contrivance, which thus compels them to be their own architects, machinists, scene-painters, and actors! In fact, the artifice succeeds,--becomes grounded in the substance of the soul: and every one loves to feel how he is thus brought face to face with the brave, the fair, the woful and the great of all past ages; looks into their eyes, and feels the beatings of their hearts; and reads, over the shoulder, the secret written tablets of the busiest and the largest brains; while the Juggler, by whose cunning the whole strange beautiful absurdity is set in motion, keeps himself hidden; sings loud with a mouth unmoving as that of a statue, and makes the human race cheat itself unanimously and delightfully by the illusion that he preordains; while as an obscure Fate, he sits invisible, and hardly lets his being be divined by those who cannot flee him. The Lyric Art is childish, and the Epic barbarous, compared to this. But of the true and perfect Drama it may be said, as of even higher mysteries,
_To Dr. Symonds, Clifton_.
"_Falmouth, June 28th_, 1841.--Newman writes to me that he is gone to the Rhine. I wish I were! And yet the only 'wish' at the bottom of my heart, is to be able to work vigorously in my own way anywhere, were it in some Circle of Dante's Inferno. This, however, is the secret of my soul, which I disclose only to a few."
_To his Mother_.
"_Falmouth, July 6th_, 1841.--I have at last my own study made comfortable; the carpet being now laid down, and most of my appurtenances in tolerable order. By and by I shall, unless stopped by illness, get myself together, and begin living an orderly life and doing my daily task. I have swung a cot in my dressing-room; partly as a convenience for myself, partly as a sort of memorial of my poor Uncle, in whose cot in his dressing-room at Lisworney I remember to have slept when a child. I have put a good large bookcase in my drawing-room, and all the rest of my books fit very well into the study."
_To Mr. Carlyle_.
"_July 6th_.--No books have come in my way but Emerson's, which I value full as much as you, though as yet I have read only some corners of it. We have had an Election here, of the usual stamp; to me a droll 'realized Ideal,' after my late metrical adventures in that line. But the oddest sign of the Times I know, is a cheap Translation of Strauss's _Leben Jesu_, now publishing in numbers, and said to be circulating far and wide. What does--or rather, what does not--this portend?"--
With the Poem called _The Election_, here alluded to, which had been more than once revised and reconsidered, he was still under some hesitations; but at last had well-nigh resolved, as from the first it was clear he would do, on publishing it. This occupied some occasional portion of his thoughts. But his grand private affair, I believe, was now _Strafford_; to which, or to its adjuncts, all working hours were devoted. Sterling's notions of Tragedy are high enough. This is what he writes once, in reference to his own task in these weeks: "Few, I fancy, know how much harder it is to write a Tragedy than to realize or be one. Every man has in his heart and lot, if he pleases, and too many whether they please or no, all the woes of OEdipus and Antigone. But it takes the One, the Sophocles of a thousand years, to utter these in the full depth and harmony of creative song. Curious, by the way, how that Dramatic Form of the old Greek, with only some superficial changes, remains a law not only for the stage, but for the thoughts of all Poets; and what a charm it has even for the reader who never saw a theatre. The Greek Plays and Shakspeare have interested a hundred as books, for one who has seen their writings acted. How lightly does the mere clown, the idle school-girl, build a private theatre in the fancy, and laugh or weep with Falstaff and Macbeth: with how entire an oblivion of the artificial nature of the whole contrivance, which thus compels them to be their own architects, machinists, scene-painters, and actors! In fact, the artifice succeeds,--becomes grounded in the substance of the soul: and every one loves to feel how he is thus brought face to face with the brave, the fair, the woful and the great of all past ages; looks into their eyes, and feels the beatings of their hearts; and reads, over the shoulder, the secret written tablets of the busiest and the largest brains; while the Juggler, by whose cunning the whole strange beautiful absurdity is set in motion, keeps himself hidden; sings loud with a mouth unmoving as that of a statue, and makes the human race cheat itself unanimously and delightfully by the illusion that he preordains; while as an obscure Fate, he sits invisible, and hardly lets his being be divined by those who cannot flee him. The Lyric Art is childish, and the Epic barbarous, compared to this. But of the true and perfect Drama it may be said, as of even higher mysteries,