Life, the Universe, and Everything [21]
Slartibartfast floated past again at this moment.
"Found it," he said. "We can lose all this rubbish. Just don't nod, that's all."
"Now, let us bow our heads in payment," intoned the voice, and then said it again, much faster and backwards.
Lights came and went, the pillars disappeared, the man gabled himself backwards into nothing, the Universe snappily reassembled itself around them.
"You get the gist?" said Slartibartfast.
"I'm astonished," said Arthur, "and bewildered."
"I was asleep," said Ford, who floated into view at this point. "Did I miss anything?"
They found themselves once again teetering rather rapidly on the edge of an agonizingly high cliff. The wind whipped out from their faces and across a bay on which the remains of one of the greatest and most powerful space battle-fleets ever assembled in the Galaxy was briskly burning itself back into existence. The sky was a sullen pink, darkening via a rather curious colour to blue and upwards to black. Smoke billowed down out of it at an incredible lick.
Events were now passing back by them almost too quickly to be distinguished, and when, a short while later, a huge starbattle-ship rushed away from them as if they'd said "boo", they only just recognized it as the point at which they had come in.
But now things were too rapid, a video-tactile blur which brushed and jiggled them through centuries of galactic history, turning, twisting, flickering. The sound was a mere thin thrill.
Periodically through the thickening jumble of events they sensed appalling catastrophes, deep horrors, cataclysmic shocks, and these were always associated with certain recurring images, the only images which ever stood out clearly from the avalance of tumbling history: a wicket gate, a small hard red ball, hard white robots, and also something less distinct, something dark and cloudy.
But there was also another sensation which rose clearly out of the thrilling passage of time.
Just as a slow series of clicks when speeded up will lose the definition of each individual click and gradually take on the quality of a sustained and rising tone, so a series of individual impressions here took on the quality of a sustained emotion — and yet not an emotion. If it was an emotion, it was a totally emotionless one. It was hatred, implacable hatred. It was cold, not like ice is cold, but like a wall is cold. It was impersonal, not as a randomly flung fist in a crowd is impersonal, but like a computer-issued parking summons is impersonal. And it was deadly — again, not like a bullet or a knife is deadly, but like a brick wall across a motorway is deadly.
And just as a rising tone will change in character and take on harmonics as it rises, so again, this emotionless emotion seemed to rise to an unbearable if unheard scream and suddenly seemed to be a scream of guilt and failure.
And suddenly it stopped.
They were left standing on a quiet hilltop on a tranquil evening.
The sun was setting.
All around them softly undulating green countryside rolled off gently into the distance. Birds sang about what they thought of it all, and the general opinion seemed to be good. A little way away could be heard the sound of children playing, and a little further away than the apparent source of that sound could be seen in the dimming evening light the outlines of a small town.
The town appeared to consist mostly of fairly low buildings made of white stone. The skyline was of gentle pleasing curves.
The sun had nearly set.
As if out of nowhere, music began. Slartibartfast tugged at a switch and it stopped.
A voice said, "This ..." Slartibartfast tugged at a switch and it stopped.
"I will tell you about it," he said quietly.
The place was peaceful. Arthur felt happy. Even Ford seemed cheerful. They walked a short way in the direction of the town, and the Informational Illusion of the grass was pleasant and springy under their feet, and the