Light in August - William Faulkner [139]
“They were sitting on the bench in the waiting room when the folks, the drummers and loafers and such, begun to come in and buy tickets for the southbound. The agent said how he noticed there was some folks in the waitingroom when he come in after supper at half past seven, but that he never noticed particular until she come to the ticket window and asked what time the train left for Jefferson. He said he was busy at the time and that he just glanced up and says, ‘Tomorrow,’ without stopping what he was doing. Then he said that after a while something made him look up, and there was that round face watching him and that plume still in the window, and she says,
“ ‘I want two tickets on it.’
“ ‘That train is not due until two o’clock in the morning,’ the agent says. He didn’t recognise her either. ‘If you want to get to Jefferson anytime soon, you’d better go to town and hire a car. Do you know which way town is?’ But he said she just stood there, counting nickels and dimes out of that knotted rag, and he came and gave her the two tickets and then he looked past her through the window and saw Uncle Doc and he knew who she was. And he said how they sat there and the folks for the southbound come in and the train come and left and they still set there. He said how Uncle Doc still looked like he was asleep, or doped or something. And then the train went, but some of the folks didn’t go back to town. They stayed there, looking in the window, and now and then they would come in and look at Uncle Doc and his wife setting on the bench, until the agent turned off the lights in the waitingroom.
“Some of the folks stayed, even after that. They could look in the window and see them setting there in the dark. Maybe they could see the plume, and the white of Uncle Doc’s head. And then Uncle Doc begun to wake up. It wasn’t like he was surprised to find where he was, nor that he was where he didn’t want to be. He just roused up, like he had been coasting for a long time now, and now was the time to put on the power again. They could hear her saying ‘Shhhhhhh. Shhhhhhhhh,’ to him, and then his voice would break out. They were still setting there when the agent turned on the lights and told them that the two o’clock train was coming, with her saying ‘Shhhhhhh. Shhhhhhhhhhh’ like to a baby, and Uncle Doc hollering, ‘Bitchery and abomination! Abomination and bitchery!’ ”
Chapter 16
WHEN his knock gets no response, Byron leaves the porch and goes around the house and enters the small, enclosed back yard. He sees the chair at once beneath the mulberry tree. It is a canvas deck chair, mended and faded and sagged so long to the shape of Hightower’s body that even when empty it seems to hold still in ghostly embrace the owner’s obese shapelessness; approaching, Byron thinks how the mute chair evocative of disuse and supineness and shabby remoteness from the world, is somehow the symbol and the being too of the man himself. That I am going to disturb again,’ he thinks, with that faint lift of lip, thinking Again? The disturbing I have done him, even he will see that that disturbing is nothing now. And on Sunday again.. But then I reckon Sunday would want to take revenge on him too, being as Sunday was invented by folks.
He comes up behind the chair and looks down into it. Hightower is asleep. Upon the swell of his paunch, where the white shirt (it is a clean and fresh one now) balloons out of the worn black trousers, an open book lies face down. Upon the book Hightower’s hands are folded, peaceful, benignant, almost pontifical. The shirt is made after an old fashion, with a pleated though carelessly ironed bosom, and he wears no collar. His mouth is open, the loose and flabby flesh sagging away from the round orifice in which the stained lower teeth show, and from the still fine nose which alone age, the defeat of sheer years, has not changed. Looking down at the unconscious face, it seems to Byron as though the whole man were fleeing away from the nose which holds invincibly to something yet of