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Light in August - William Faulkner [178]

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cow. Grimm rammed the pistol back into the holster and flung the boy aside and sprang onto the bicycle, with never a break in motion.

The bicycle possessed neither horn nor bell. Yet they sensed him somehow and made way; in this too he seemed to be served by certitude, the blind and untroubled faith in the rightness and infallibility of his actions. When he overtook the running deputy he slowed the bicycle. The deputy turned upon him a face sweating, gaped with shouting and running. “He turned,” the deputy screamed. “Into that alley by—”

“I know,” Grimm said “Was he handcuffed?”

“Yes!” the deputy said The bicycle leaped on.

‘Then he can’t run very fast,’ Grimm thought. ‘He’ll have to hole up soon. Get out of the open, anyway. He turned into the alley, fast. It ran back between two houses, with a board fence on one side. At that moment the fire siren sounded for the first time, beginning and mounting to a slow and sustained scream that seemed at last to pass beyond the realm of hearing, into that of sense, like soundless vibration. Grimm wheeled on, thinking swiftly, logically, with a kind of fierce and constrained joy. ‘The first thing he will want is to get out of sight,’ he thought, looking about. On one hand the lane was open, on the other stood the board fence six feet high. At the end it was cut short off by a wooden gate, beyond which was a pasture and then a deep ditch which was a town landmark. The tops of tall trees which grew in it just showed above the rim; a regiment could hide and deploy in it. “Ah,” he said, aloud. Without stopping or slowing he swept the bicycle around and pedalled back down the lane toward the street which he had just quitted. The wail of the siren was dying now, descending back into hearing again, and as he slowed the bicycle into the street he saw briefly the running people and a car bearing down upon him. For all his pedalling the car overtook him; its occupants leaned shouting toward his set, forwardlooking face. “Get in here!” they shouted. “In here!” He did not answer. He did not look at them. The car had overshot him, slowing; now he passed it at his swift, silent, steady pace; again the car speeded up and passed him, the men leaning out and looking ahead. He was going fast too, silent, with the delicate swiftness of an apparition, the implacable undeviation of Juggernaut or Fate. Behind him the siren began again its rising wail. When next the men in the car looked back for him, he had vanished completely.

He had turned full speed into another lane. His face was rocklike, calm, still bright with that expression of fulfillment, of grave and reckless joy. This lane was more rutted than the other, and deeper. It came out at last upon a barren knoll where, springing to earth while the bicycle shot on, falling, he could see the full span of the ravine along the edge of town, his view of it broken by two or three negro cabins which lined the edge of it. He was quite motionless, still, alone, fateful, like a landmark almost. Again from the town behind him the scream of the siren began to fall.

Then he saw Christmas. He saw the man, small with distance, appear up out of the ditch, his hands close together. As Grimm watched he saw the fugitive’s hands glint once like the flash of a heliograph as the sun struck the handcuffs, and it seemed to him that even from here he could hear the panting and desperate breath of the man who even now was not free. Then the tiny figure ran again and vanished beyond the nearest negro cabin.

Grimm ran too now. He ran swiftly, yet there was no haste about him, no effort. There was nothing vengeful about him either, no fury, no outrage. Christmas saw that, himself. Because for an instant they looked at one another almost face to face. That was when Grimm, running, was in the act of passing beyond the corner of the cabin. At that instant Christmas leaped from the rear window of it, with an effect as of magic, his manacled hands high and now glinting as if they were on fire. For an instant they glared at one another, the one stopped in the act of crouching

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