Light in August - William Faulkner [33]
Hightower has not moved. He sits erect behind the desk, his forearms parallel upon the armrests of the chair. He wears neither collar nor coat. His face is at once gaunt and flabby; it is as though there were two faces, one imposed upon the other, looking out from beneath the pale, bald skull surrounded by a fringe of gray hair, from behind the twin motionless glares of his spectacles. That part of his torso visible above the desk is shapeless, almost monstrous, with a soft and sedentary obesity. He sits rigid; on his face now that expression of denial and flight has become definite. “Byron,” he says; “Byron. What is this you are telling me?”
Byron ceases. He looks quietly at the other, with an expression of commiseration and pity. “I knowed you had not heard yet. I knowed it would be for me to tell you.”
They look at one another. “What is it I haven’t heard yet?”
“About Christmas. About yesterday and Christmas. Christmas is part nigger. About him and Brown and yesterday.”
“Part negro,” Hightower says. His voice sounds light, trivial, like a thistle bloom falling into silence without a sound, without any weight. He does not move. For a moment longer he does not move. Then there seems to come over his whole body, as if its parts were mobile like face features, that shrinking and denial, and Byron sees that the still, flaccid, big face is suddenly slick with sweat. But his voice is light and calm. “What about Christmas and Brown and yesterday?” he says.
The sound of music from the distant church has long since ceased. Now there is no sound in the room save the steady shrilling of insects and the monotonous sound of Byron’s voice. Beyond the desk Hightower sits erect. Between his parallel and downturned palms and with his lower body concealed by the desk, his attitude is that of an eastern idol.
“It was yesterday morning. There was a countryman coming to town in a wagon with his family. He was the one that found the fire. No: he was the second one to get there, because he told how there was already one fellow there when he broke down the door. He told about how he come into sight of the house and he said to his wife how it was a right smart of smoke coming out of that kitchen, and about how the wagon come on and then his wife said, ‘That house is afire.’ And I reckon maybe he stopped the wagon and they set there in the wagon for a while, looking at the smoke, and I reckon that after a while he said, ‘It looks like it is.’ And I reckon it was his wife that made him get down and go and see. ‘They don’t know it’s afire,’ she said, I reckon. ‘You go up there and tell them.’ And he got out of the wagon and went up onto the porch and stood there, hollering ‘Hello. Hello’ for a while. He told how he could hear the fire then, inside the house, and then he hit the door a lick with his shoulder and went in and then he found the one that had found that fire first. It was Brown. But the countryman didn’t know that. He just said it was a drunk man in the hall that looked like he had just finished falling down the stairs, and the countryman said, ‘Your house is afire, mister,’ before he realised how drunk the man was. And he told how the drunk man kept on saying how there wasn’t nobody upstairs and that the upstairs was all afire anyway and there wasn’t any use trying to save anything from up there.
“But the countryman knew there couldn’t be that much fire upstairs because the fire was all back toward the kitchen. And besides, the man was too drunk to know, anyway. And he told how he suspected there was something wrong from the way the drunk man was trying to keep him from going upstairs. So he started upstairs, and