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Rebora, Carrie J. “The American Academy of the Fine Arts, New York, 1802–1842.” Ph.D. diss., New York University, 1990.

Remini, Robert V. Andrew Jackson: The Course of American Democracy, 1833–1845. Baltimore, 1984. Report of the Commissioner of Patents for the Year 1849. Washington, D.C., 1850.

Root, M. A. The Camera and The Pencil: or the Heliographic Art. Philadelphia, 1864.

Rudé, George. Debate on Europe 1815–1850. New York, 1972.

Russell, R. W. History of the Invention of the Electric Telegraph Abridged from the Works of Lawrence Turnbull, M.D. New York, 1853.

Samuel F. B. Morse Educator and Champion of the Arts in America. New York, 1982.

Saward, George. The Trans-Atlantic Submarine Telegraph. London, 1878.

Schudson, Michael. Discovering the News: A Social History of American Newspapers.

New York, 1978.

Scisco, Louis D. Political Nativism in New York State. New York, 1901.

Sellers, Charles. The Market Revolution: Jacksonian America, 1815–1846. New York, 1991.

Shoptaugh, Terry L. “Amos Kendall: A Political Biography.” Ph.D. diss., New Hampshire, 1984.

Siemens, Werner. Personal Recollections of Werner von Siemens, trans. W. C. Coup-land. New York, 1893.

Smith, Tony. “Who Was Prof. Daubeny?” Morsum Magnificat, no. 49 (Christmas 1996): 18–19.

Snyder, Alan K. “Foundations of Liberty: The Christian Republicanism of Timothy Dwight and Jedediah Morse.” New England (Quarterly 56, no. 3 (September 1983): 382–97.

Spann, Edward K. The New Metropolis: New York City 1840–1857. New York, 1981.

Staiti, Paul J. “Samuel F. B. Morse in Charleston 1818–1821.” South Carolina Historical Magazine 79, no. 2 (April 1978): 87–112.

________“God, Family, and Art: Unpublished Letters from Samuel F. B. Morse.” Archives of American Art Journal 25, no. 4 (1985): 10–15.

______. Samuel F. B. Morse. Cambridge, Mass., 1989.

Stebbins, Theodore E., Jr., ed. The Lure of Italy: American Artists and the Italian Experience. New York, 1992.

Stephens, Carlene E. “The Impact of the Telegraph on Public Time in the United States, 1844–1893.” IEEE Technology and Society Magazine, March 1989, 4–10.

Strong, George Templeton. The Diary of George Templeton Strong … 1850–1859, ed. Allan Nevins and Milton Halsey Thomas. New York, 1952.

Tatham, David. “Samuel F. B. Morse’s Gallery of the Louvre: The Figures in the Foreground.” American Art Journal 13, no. 4 (Autumn 1981): 38–48.

Thayer, Donald R. “Art Training in the National Academy of Design, 1825–1835.” Ph.D. diss., Missouri, 1978.

Thompson, Robert Luther. Wiring a Continent: The History of the Telegraph Industry in the United States 1832–1866. Princeton, N.J., 1947.

Waples, Dorothy. The Whig Myth of James Fenimore Cooper. New Haven, Conn., 1938.

Watts, Steven. The Republic Reborn: War and the Making of Liberal America, 1790–1820. Baltimore, 1987.

Welling, William. Photography in America: The Formative Years 1839–1900. New York, 1978. Whitman, Walt. The Journalism, 1, ed. Herbert Bergman. New York, 1998.

Wood, John, ed. America and the Daguerreotype. Iowa City, Iowa, 1991.

Wright, Conrad. “The Controversial Career of Jedediah Morse.” Harvard Library Bulletin 31, no. 1 (Winter 1983): 64–87.

Wright, Nathalia. Horatio Greenough: The First American Sculptor. Philadelphia, 1963.

_____, ed. Letters of Horatio Greenough, American Sculptor. Madison, Wis., 1972.

In the documentation that follows, I have used the first few words of each paragraph in the text, printed in boldface, to group citations for that paragraph. Individual citations are keyed to a prominent word in the relevant sentence of the paragraph:

ONE: GEOGRAPHY

On April 30/ Sufficient: JM to his father, 6 Nov 1786, Y. On JM generally see R. Brown, Moss, Phillips, and C. Wright. And for Jedediah/ Greatest: JM to his father, 29 Nov 1786, Y. Two weeks after/ Dwarf: ELM, I, 173. Pattern: JM to EM, 5 Sep 1796, Y. Jedediah