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_Live From Cape Canaveral_ - Jay Barbree [10]

By Root 864 0
instrument flight simulator instructor at the age of eighteen.

The author as an eighteen-year-old pilot at Scott Air Force Base, Illinois. (Barbree Collection).

A couple of the other pilots in the Link Section and I bought an Aeronica Champion, and in the months to come, logged endless hours in the single-engine land aircraft. At that time I only saw my future in aviation, but I soon learned the pay wasn’t promising, and I met a portly radio-station owner endowed with both a full bosom and a desire to possess my young body. Broadcast crept into my life, pushing flying aside, and once out of the air force, a living I had to make.

I kicked around a couple of radio stations before landing at WALB Radio & TV in Albany, Georgia, where, after three years, the “space bug” sunk its teeth in me and I was off to Cape Canaveral. I managed a little piece of bachelor’s heaven in a studio apartment on the beach, and when it came to making friends, I was lucky. Some of them were even famous, but I suppose the one I liked to hang out with the most was a wild New Yorker named Martin Caidin. Caidin stepped aside for no man, and he was arguably the greatest aviation and space writer ever. He lived in New York but when he finished writing a book, Caidin would be off to the Cape, where we would raise hell and get in some serious flying.

We were an odd couple: he a wise-ass New Yorker, I a Georgia plowboy. We just seemed to piss off the right people, which I reasoned was because Caidin was an orphan and we’d both grown up without. When two people who never had much meet, well, there’s instant trust.

Mostly, when Marty came down, we would go flying. He had bought a German World War II ME–108 fighter, and I remember one particular night when we were upstairs in calm air and the old Messerschmitt was rock steady, and we could see the Cape spread out before us; we could see where brilliant searchlights converged on an Atlas missile. It was too far away to make out details at first, but we could see the plume of escaping liquid-oxygen vapor flashing in the light.

America’s new spaceport was an enchanted land of lights and colors, and as we flew closer, we could see along the northeast beach the four massive gantry towers for Atlas, including the missile undergoing a fueling test on its pad, and the dark shapes where engineers and construction workers were rushing the completion of four complexes and their towers for the mighty Titan. And south of the Cape’s point, there were the gantries for the family of intermediate-range ballistic missiles; Thor, Jupiter, Redstone, and Jupiter-C; and the new launch pads for Polaris.

I smiled. Before the week was finished, I would be covering the Polaris launch, the solid-fueled missile that would soon go to sea aboard nuclear submarines.

There were other areas too dark to identify, but from the air, I realized I was seeing the Cape as I had never seen it before. This was not merely a site where buttons were pushed and missiles screamed into the sky. It was a vast assembly, the workshop of a laboratory that stretched more than five thousand miles across the Atlantic. It was vibrant, expensive, terribly complicated, and dangerous, but most of all, vital to all of us.

Martin Caidin and Jay Barbree could often be seen flying this German World War II Messerschmitt ME–108 fighter over Florida. The German fighter with its original markings raised many eyebrows at local airports, and once Caidin had to make an emergency landing on U.S. 1, coming to a stop in front of a motel. He grinned and asked, “You have a room?” (Caidin Collection).

I rolled the Messerschmitt westward, cutting power and trimming the World War II fighter for a rapid descent. Three brilliant lights flashed and disappeared, first white, then green. They were the flasher beacons from Titusville’s executive airport. I made a long, straight-in approach to the runway and the aircraft settled easily on the concrete.

It was a beautiful Florida day for the first full-scale Polaris launch.

We reporters and photographers were taken to the roof

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