Live to Tell - Lisa Gardner [48]
The wails continued, a long heartbreaking ladder that made the adults pale, even as we pasted reassuring smiles upon our faces.
I found myself picturing my father. He was standing in my doorway, framed by a halo of hallway light. “Oh Danny girl. My pretty, pretty Danny girl.”
The pitch of his last words matched Lucy’s wail perfectly. Songs for the dying.
I wanted Lucy to shut up. I needed her voice out of my head.
I finally reached the dispensary and grabbed the Ativan. Two more kids went racing by. I snagged the first, then the second, got them to the movie room, where the MCs were getting it together now. A movie was on, audio blasting almost loud enough to drown out the ruckus down the hall.
Lucy screamed more frantically, and I bolted for the rest of my supplies. Having the proper sedative was only half the battle. The real problem would be administering it. Most kids, we talked through the process or even bribed. Lucy, however, didn’t have language skills.
She was a mystery to us, and she was a mystery now screaming so shrilly my head hurt. The windows should shatter. The building should implode from so much anguish.
“Oh Danny girl. My pretty, pretty Danny girl.”
I grabbed three pieces of cheese and a boombox and raced down the hall.
I walked straight into the room. Lucy was so beside herself, I figured it hardly mattered. She must’ve spotted me out of the corner of her eye, however, for she launched herself at me immediately, fingers curled into claws, gouging at my eyes.
She caught me in the shoulder. I staggered back, surprised, making a low, involuntary oomph under my breath.
I had an image of tangled brown hair, and dark, desperate eyes too big in her pale face. She launched herself again. Instinctively, I brought up the boombox and used it to block. She whacked it with her hand, hard enough to hurt. Her arm recoiled. She held her right hand against her chest and whimpered.
I hit Play, filling the room with a light piano mix. Music soothes the savage beast.
Not Lucy. She kicked at my shins.
I pedaled backwards, trying to put distance between us. She stalked me, up on the balls of her feet, gaze never leaving my face.
She wanted to gouge out my eyes, dig her fingers into my sockets and squeeze. I could see it on her face. Something had gone off inside of her. A switch thrown. A link with humanity further breaking. She wanted blood. She needed it.
I kept moving, careful to stay out of corners and remain within line of sight of the doorway.
I was stronger.
She was faster, a swirling blur of green shirt and pale, flashing limbs.
She lashed out with her foot again, catching me in the side of my knee. I stumbled and the boombox fell to the floor. She snatched it up and hurled it at the window. It bounced off the shatterproof glass, landing on the floor, where George Winston resiliently carried on.
Lucy didn’t seem to notice. I was already up, moving quickly toward the open doorway. She seemed to register the angle, instantly understanding my intent. She dashed left, cutting me off from the doorway, herding me deeper into the room. I got the mattress between us, thinking that might help. Then I started circling back around, always mindful of the doorway.
Lucy gave up on stalking, leaping across the mattress instead.
The direct attack caught me off guard. I barely got my hands up before she head-butted me in the stomach. The force of her attack carried us both back, slamming me into the window. She was wild now, clawing with her fingers, jabbing with her knees. I tried to catch her hands, make some attempt to subdue her.
She grabbed my arm with both of her hands and yanked, hard. The sudden force bent me forward, and she immediately leaped upon my back, grabbing fistfuls of my hair. Then she got one hand around my neck and squeezed.
I careened over to the next wall, backing into