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Lives Like Loaded Guns_ Emily Dickinson and Her Family's Feuds - Lyndall Gordon [216]

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continuous with the preceding line. It’s a climactic stanza, a sequel to the first climax in the poem (‘struck—my ticking—through—’), fitting the explosive content of the alternative world within. Johnson’s transcription of this important poem should be restored.

7 ‘yellow eye’: ‘My Life had stood—a Loaded Gun—’, op. cit.

7 ‘buckled lips’: ‘The reticent volcano’ (n.d.). J1748/ Fr1776. Transcribed by MLT and published in 1896.

7 ‘Abyss has no biographer—’: L899. Vendler, 71, associates abyss with the ‘fissure’ and ‘rupture’ of life’s ‘serial plot’. This appears an internal paradigm of the family plot disrupted by a feud.

7 ‘I’m Nobody!’: (c. late 1861). J288/Fr260.

7 ‘Wife—without the Sign!’: ‘Title divine—is mine!’ (c. 1861). J1072/Fr194.

8 ‘I tie my Hat’: (c. spring 1863). The poem is transcribed here from MB 553-5, the manuscript source for J443. (The transcription in Fr522 eliminates the penultimate stanza, which is relevant to the counter-domestic point of the poem.)

8 ‘eyes were full of . . .’: The Mill on the Floss (1860), book II, ch. 5.

9 ‘What have I done?’: ‘Millicent’s Life’, vol. iii (24 Sept 1881). Yale: box 116, f.454. Also, MLT’s Journals (24 Sept 1881). Yale: microfilm.

10 donor: James B. Germaine of Albany. MTB, TS notes for a talk with her father, 1967. Yale: box 47, f.14. Germaine left his money elsewhere.

10 card-dropping etiquette: Unfinished TS autobiography. Yale.

10 Mrs Stearns: MS memorial tribute (n.d.). Yale: box 78, f.315.

10 MLT’s hair: a lock in Yale collection.

11 thinnest white dress: MLT Journals. Yale: microfilm, reel 8.

11 ‘Exultation is the going’: pencil fair copy, addressed ‘Sue’ (c. early 1860). J76/ Fr143.

11 ‘Her talk . . .’; ‘quick . . .’; ‘seizes . . .’: From SHD’s obituary for ED in the Springfield Republican (May 1886). The tense of the verbs is changed from past to present.

11 MLT on Schubert: Yale: box 77, f.310. (37 MS pages.)

12 Emma offering scalloped oysters: Austen, Emma (1815).

12 WAD ‘delicate’: MLT, Journals, III, 185 (10 Nov 1882). Yale: microfilm.

12 ‘on the heights’: MLT, Journals, V (1886): a retrospect. Yale: microfilm.

12 MLT’s voice rang out; ‘Miss Emily’: MLT, Journals, III, 174 (15 Sept 1882). Yale: microfilm, reel 8.

13 ‘endure’: ‘Elysium is as far as to’. J1760/Fr1590. MLT had the impression that this poem was composed during her visit, c. 1882.

13 Austin’s diary: Yale.

14 ‘always watching’: Home, 413.

14 ‘She writes the strangest poems’: MLT, Journals, III, 174. Yale: microfilm.

15 ‘we all love you’: L311.

16 ‘sew alone’: L310.

16 ‘at the White Heat’: (c. 1862). J365/Fr401. One of three copies was sent to TWH.

16 ‘torrid spirit’; ‘Domingo’: L855. Domingo was associated with the production of rum and with its power to intoxicate.

16 books with ‘more’: The Mill on the Floss, book IV, ch. 3.

16 ‘still—Volcano—Life’: (c. spring 1863). J601/Fr517.

17 control: Juhasz, The Undiscovered Continent, 172-3.

17 ‘Fire rocks’: ‘On my volcano grows the Grass’. J1677/Fr1743. Transcribed by SHD.

17 ‘Will my great Sister . . .’: (c. 1883). L854.

17 ‘Your little mental gallantries . . .’: (c. 1883). L856.

II: ‘A STILL—VOLCANO—LIFE’

1: THE FIRST FAMILY

21 ‘pure and terrible’: (July 1874). L418. After her father’s death.

21 ‘I do not expect . . . pleasure’: Sewall, i, 47.

21 LD mimicked father: MLT’s notes of LD’s anecdotes. Yale: box 82, f.402.

21 ‘saw things . . . just as they were’: WAD, recollections of ED. Yale. Sewall, i, 222-3.

21 ‘startling’: LD to ED’s editor, Niles (3 Apr 1893). AC.

21 ‘the Soul’s Superior instants’: (c. 1863). J306/Fr630.

21 ‘simulate’: J443/Fr522.

22 ‘a sweet little song’: L7.

22 ‘Kangaroo’: L268. See the vivid poem ‘Kangaroo’, by D. H. Lawrence.

22 freckles: ED mentioned them to Mrs Bowles (c. Aug 1861), L235. She also mentions ‘my freckled bosom’ in ‘Rearrange a “Wife’s” Affections’, though in a poem it could be invention. In her youth the scoop-necked dresses of the 1840s would have exposed her chest to the sun

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