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Living My Life - Emma Goldman [149]

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Still he had kept on. Pittsburgh had somewhat relieved his depression; the presence of a horde of police, detectives, and prison officials had roused his fighting spirit and had lifted him out of himself. But Cleveland was a ghastly experience from the moment he arrived. There was no one to meet him at the station, and he spent the day in an exhausting search to locate comrades. The audience in the evening was small and inert; after the lecture came an endless ride to the farm of the comrade whose guest he was to be. Worn and sick unto death, he fell into a heavy sleep. He awoke in the middle of the night and was horrified to find a strange man snoring at his side. His years of solitude in prison had made close human proximity a torture to him. He rushed out of the house, into the country road, to look for some hiding-place where he could be alone. But peace would not come, nor relief from the feeling that he was unfit for life. He determined to end it.

In the morning he walked to the city and bought a revolver. He decided to go to Buffalo. No one knew him there, no one would discover him in life or claim him in death. He roamed through the city all day and night, but New York drew him with irresistible force. Finally he went there and spent two days and nights circling around 210 East Thirteenth Street. He was in constant terror of meeting anyone, yet he could not keep away. Each time on returning to his squalid little room on the Bowery he would take up the revolver for the final gesture. He went to the park nearby, determined to make an end. The sight of little children playing turned his mind to the past and the “sailor girl.” “And then I knew that I could not die without seeing you again,” he concluded. [ ... ]

I held out my hand to him and begged him to come home with me. “Only Stella is there, my dearest,” I pleaded, “and I will see that no one intrudes upon you.” At the flat I found Stella, Max, and Becky waiting anxiously for our return. I took Sasha through the corridor into my room and put him to bed. He went off to sleep like a weary child.

Sasha remained in bed for several days, asleep most of the time and only half-aware of his surroundings during his waking hours. [ ... ] Gradually I came to see that it was not so much the question of earning a living that harassed Sasha as something deeper and more bitter to face: the contrast between his dream-world of 1892 and my reality of 1906. The world of ideals he had taken with him to prison at twenty-one had defied the passage of time. Perhaps it was fortunate that it was so; it had been his spiritual support through all the terrible fourteen years, a star to illumine the blackness of his prison existence. It had even coloured his mind’s-eye view of the outside world—of the movement, his friends, and especially myself. During that time life had kicked me about, forced me into the current of events, to sink or to swim—I had ceased to be the little “sailor girl” whose image had remained with Sasha from former days. I was a woman of thirty-seven who had undergone profound changes. I no longer fitted into the old mould, as he had expected me to. Sasha saw and felt it almost immediately upon his release. He had tried to understand the mature personality which had burst forth from the shell of the inexperienced girl, and, failing, he became resentful, critical, and often condemnatory of my life, my views, and my friends. He charged me with intellectual aloofness and revolutionary inconsistency. Every thrust from him cut me to the quick and made me cry out my grief. Often I wanted to run away, never to see him again, but I was held by something greater than the pain: the memory of his act, for which he alone had paid the price. More and more I realized that to my last breath it would remain the strongest link in the chain that bound me to him. The memory of our youth and of our love might fade, but his fourteen years’ Calvary would never be eradicated from my heart.

A way out of the distressing situation suggested itself in the imperative need of my going on tour for

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