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Locked rooms - Laurie R. King [83]

By Root 428 0

The offer of a return pleased both women, the protective Mimi and the lonely Miss Adderley. Mimi sketched a curtsey and left them alone, the frail hand already lifting back the album cover.

She turned half a dozen pages until she came to a photograph of the city burning. It had been taken from a hill above the downtown, long shadows indicating that it was early morning. The buildings were crisp and clear, those closer to the camera revealing their missing cornices, shattered windows, and huge cracks running up the brick. The streets were adrift with brick and rubble, the mounds studded incongruously with chairs and wardrobes that had been carried so far, then abandoned. Men and women stood about, staring up at the cloud of angry smoke billowing grey against the lighter sky. To one side, a dead horse lay in the traces of its wagon, half buried by the collapsed wall of a building.

After a minute, she turned the page.

The next photograph was at once shocking and oddly reassuring. Again from a hilltop, again the fires raging in the background, but along the front of the picture, picnics were taking place. A group of young men, some of them hatless but all in ties and tidy suits, sat and lay back on their elbows on the grass around a cloth arranged with sandwich rolls and bottles of lemonade. In the centre of the photograph, with the smoke cloud huge and furious above them and the dapper young men glancing at them from the sides, stood a pair of young women—girls, really—dressed in their spring finery. Hats elaborate with feathers, new spring frocks, their postures shouting their awareness that the youths at their feet were of greater interest and importance than the city burning at their backs. It might have been an illustration of the careless self-obsession of the young, yet somehow it was not. For some reason, the posture of the young ladies and the ease of their admirers conveyed a sense of defiance in the face of catastrophe: One knew somehow that these young people were quite aware of the horrors creeping up on them, yet one suspected that they were merely biding their time until they might do something about it.

Reassuring, the assertion of young strength in the time of the city's need.

Holmes found himself smiling, and she turned the next page, her fingers swiping back the tissue protector to reveal a refugee camp.

The profile of the hill on which the camp was laid was the familiar park a few streets away—Lafayette Park, little more than a grassy knoll with the incongruous house parked among the trees at the top, the whole of it two streets wide and two deep. In the first photo, the grass was a jumble of possessions—bedrolls and steamer trunks, strapped orange-crates and disassembled bed-steads. All the women wore the elaborate hats of the period, and most of the men were missing.

In the next picture in the sequence, a tent city had sprung up in front of the elaborate Victorian houses that faced the park. Here, the rising smoke was closer, possessions had been gathered into rough heaps, and a few canvas tents had been raised, the whiteness of their sides and the unbeaten grass around their bases clear signs that the photograph had been taken soon after they had been installed. The women were mostly bare-headed, and the men had returned, to stand about in their shirt-sleeves.

“The Army brought the tents over,” Miss Adderley said, “I believe from Fort Mason. At first there were soldiers to set them up, but then they were called off to guard the downtown from looters and we were left to our own resources. Fortunately, a number of old soldiers lived in the area, so we managed. This was our tent, here.” A gnarled finger touched a taut white peak near the house at the top of the hill, then continued down to the bottom to turn to the next page.

Now, the Lafayette Park tent city was well established, peopled by an affluent group of refugees, long-skirted women with the occasional hat, their prized bits of furniture and statuary bulging the sides of the tents—a sofa here, two candelabra on a packing-case table there.

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