Lolita - Vladimir Nabokov [37]
I simply can’t tell you how gentle, how touching my poor wife was. At breakfast, in the depressingly bright kitchen, with its chrome glitter and Hardware and Co. Calendar and cute breakfast nook (simulating that Coffee Shoppe where in their college days Charlotte and Humbert used to coo together), she would sit, robed in red, her elbow on the plastic-topped table, her cheek propped on her fist, and stare at me with intolerable tenderness as I consumed my ham and eggs. Humbert’s face might twitch with neuralgia, but in her eyes it vied in beauty and animation with the sun and shadows of leaves rippling on the white refrigerator. My solemn exasperation was to her the silence of love. My small income added to her even smaller one impressed her as a brilliant fortune; not because the resulting sum now sufficed for most middle-class needs, but because even my money shone in her eyes with the magic of my manliness, and she saw our joint account as one of those southern boulevards at midday that have solid shade on one side and smooth sunshine on the other, all the way to the end of a prospect, where pink mountains loom.
Into the fifty days of our cohabitation Charlotte crammed the activities of as many years. The poor woman busied herself with a number of things she had foregone long before or had never been much interested in, as if (to prolong these Proustian intonations) by my marrying the mother of the child I loved I had enabled my wife to regain an abundance of youth by proxy. With the zest of a banal young bride, she started to “glorify the home.” Knowing as I did its every cranny by heart—since those days when from my chair I mentally mapped out Lolita’s course through the house—I had long entered into a sort of emotional relationship with it, with its very ugliness and dirt, and now I could almost feel the wretched thing cower in its reluctance to endure the bath of ecru and ocher and putty-buff-and-snuff that Charlotte planned to give it. She never got as far as that, thank God, but she did use up a tremendous amount of energy in washing window shades, waxing the slats of Venetian blinds, purchasing new shades and new blinds, returning them to the store, replacing them by others, and so on, in a constant chiaroscuro of smiles and frowns, doubts and pouts. She dabbled in cretonnes and chintzes; she changed the colors of the sofa—the sacred sofa where a bubble of paradise had once burst in slow motion within me. She rearranged the furniture—and was pleased when she found, in a household treatise, that “it is permissible to separate a pair of sofa commodes and their companion lamps.” With the authoress of Your Home Is You, she developed a hatred for little lean chairs and spindle tables. She believed that a room having a generous expanse of glass, and lots of rich wood paneling was an example of the masculine type of room, whereas the feminine type was characterized by lighter-looking windows and frailer woodwork. The novels I had found her reading when I moved in were now replaced by illustrated catalogues and homemaking guides. From a firm located at 4640 Roosevelt Blvd., Philadelphia, she ordered for our double bed a “damask covered 312 coil mattress”—although the old one seemed to me resilient and durable enough for whatever it had to support.
A Midwesterner, as her late husband had also been, she had lived in coy Ramsdale, the gem of an eastern state, not long enough to know all the nice people. She knew slightly the jovial dentist who lived in a kind of ramshackle wooden chateau behind our lawn. She had met at a church tea the “snooty” wife of the local junk dealer who owned the “colonial” white horror at the corner of the avenue. Now and then she “visited with” old Miss Opposite; but the more patrician matrons among those she called upon, or met at lawn functions, or had telephone chats with—such dainty ladies as Mrs. Glave, Mrs. Sheridan,