Lolita - Vladimir Nabokov [46]
I left in great spirits. Steering my wife’s car with one finger, I contentedly rolled homeward. Ramsdale had, after all, lots of charm. The cicadas whirred; the avenue had been freshly watered. Smoothly, almost silkily, I turned down into our steep little street. Everything was somehow so right that day. So blue and green. I knew the sun shone because my ignition key was reflected in the windshield; and I knew it was exactly half past three because the nurse who came to massage Miss Opposite every afternoon was tripping down the narrow sidewalk in her white stockings and shoes. As usual, Junk’s hysterical setter attacked me as I rolled downhill, and as usual, the local paper was lying on the porch where it had just been hurled by Kenny.
The day before I had ended the regime of aloofness I had imposed upon myself, and now uttered a cheerful homecoming call as I opened the door of the living room. With her cream-white nape and bronze bun to me, wearing the yellow blouse and maroon slacks she had on when I first met her, Charlotte sat at the corner bureau writing a letter. My hand still on the doorknob, I repeated my hearty cry. Her writing hand stopped. She sat still for a moment; then she slowly turned in her chair and rested her elbow on its curved back. Her face, disfigured by her emotion, was not a pretty sight as she stared at my legs and said:
“The Haze woman, the big bitch, the old cat, the obnoxious mamma, the—the old stupid Haze is no longer your dupe. She has—she has …”
My fair accuser stopped, swallowing her venom and her tears. Whatever Humbert Humbert said—or attempted to say—is inessential. She went on:
“You’re a monster. You’re a detestable, abominable, criminal fraud. If you come near—I’ll scream out the window. Get back!”
Again, whatever H.H. murmured may be omitted, I think.
“I am leaving tonight. This is all yours. Only you’ll never, never see that miserable brat again. Get out of this room.”
Reader, I did. I went up to the ex-semi-studio. Arms akimbo, I stood for a moment quite still and self-composed, surveying from the threshold the raped little table with its open drawer, a key hanging from the lock, four other household keys on the table top. I walked across the landing into the Humberts’ bedroom, and calmly removed my diary from under her pillow into my pocket. Then I started to walk downstairs, but stopped halfway: she was talking on the telephone which happened to be plugged just outside the door of the living room. I wanted to hear what she was saying: she canceled an order for something or other, and returned to the parlor. I rearranged my respiration and went through the hallway to the kitchen. There, I opened a bottle of Scotch.