Lolita - Vladimir Nabokov [83]
Now that I have an altogether different mess on my conscience, I know that I am a courageous man, but in those days I was not aware of it, and I remember being surprised by my own coolness. With the quiet murmured order one gives a sweat-stained distracted cringing trained animal even in the worst of plights (what mad hope or hate makes the young beast’s flanks pulsate, what black stars pierce the heart of the tamer!), I made Lo get up, and we decorously walked, and then indecorously scuttled down to the car. Behind it a nifty station wagon was parked, and a handsome Assyrian with a little blue-black beard, un monsieur trés bien, in silk shirt and magenta slacks, presumably the corpulent botanist’s husband, was gravely taking the picture of a signboard giving the altitude of the pass. It was well over 10,000 feet and I was quite out of breath; and with a scrunch and a skid we drove off, Lo still struggling with her clothes and swearing at me in language that I never dreamed little girls could know, let alone use.
There were other unpleasant incidents. There was the movie theatre once, for example. Lo at the time still had for the cinema a veritable passion (it was to decline into tepid condescension during her second high school year). We took in, voluptuously and indiscriminately, oh, I don’t know, one hundred and fifty or two hundred programs during that one year, and during some of the denser periods of movie-going we saw many of the news-reels up to half-a-dozen times since the same weekly one went with different main pictures and pursued us from town to town. Her favorite kinds were, in this order: musicals, underworlders, westerners. In the first, real singers and dancers had unreal stage careers in an essentially grief-proof sphere of existence where-from death and truth were banned, and where, at the end, white-haired, dewy-eyed, technically deathless, the initially reluctant father of a show-crazy girl always finished by applauding her apotheosis on fabulous Broadway. The underworld was a world apart: there, heroic newspapermen were tortured, telephone bills ran to billions, and, in a robust atmosphere of incompetent marksmanship, villains were chased through sewers and storehouses by pathologically fearless cops (I was to give them less exercise). Finally there was the mahogany landscape, the florid-faced, blue-eyed roughriders, the prim pretty schoolteacher arriving in Roaring Gulch, the rearing horse, the spectacular stampede, the pistol thrust through the shivered windowpane, the stupendous fist fight, the crashing mountain of dusty old-fashioned furniture, the table used as a weapon, the timely somersault, the pinned hand still groping for the dropped bowie knife, the grunt, the sweet crash of fist against chin, the kick in the belly, the flying tackle; and immediately after a plethora of pain that would have hospitalized a Hercules (I should know by now), nothing to show but the rather becoming bruise on the bronzed cheek of the warmed-up hero embracing his gorgeous frontier bride. I remember one matinee in a small airless theatre crammed with children and reeking with the hot breath of popcorn. The moon was yellow above the neckerchiefed crooner, and his finger was on his strumstring, and his foot