London - Edward Rutherfurd [35]
“So the question is,” he murmured sadly, “how much did he see?”
Martina stood by the southern end of the bridge. The summer day was drawing towards its end. The glare on the whitewashed houses of the city opposite had faded, leaving only a pleasant glow. In the west, purple clouds gathered along an amber horizon. The breeze touched her cheek softly.
She held the letter in her hand. A boy had brought it to her. It was written on paper, which was expensive. The handwriting was as neat as Julius could make it. It was written in Latin. She had to admit, she was excited.
Not that such communications, even between humble folk, were unusual. In the Roman city of Londinium, literacy was the norm. Though they usually spoke in Celtic, most townspeople knew Latin and could write it. Merchants wrote contracts, shopkeepers labelled goods, servants received written instructions and walls carried Latin graffiti. All the same, this was a love letter of sorts, and as Martina read it again she felt a little tremble go down her body.
If you come to the bridge at noon tomorrow, during the games, I have a present for you.
I think of you night and day. J.
Though he had not signed his full name – a sensible precaution should the letter go astray – she knew who the author must be. The young boxer. She nodded thoughtfully, and wondered: What was she going to do?
Time passed. Bathed in the evening glow, the city’s red-tiled roofs, pale walls and stone columns presented a cheerful aspect. Why should Martina feel a touch of melancholy? Perhaps it was the bridge. Stoutly built of wood on high, heavy piles, this fine piece of Roman engineering stretched two-thirds of a mile over the water. Now, as the river turned wine-red in the sunset, the bridge’s long, dark form reminded Martina of her own lonely journey through life. For she had been alone in the world when she met the mariner in Gaul. Her parents were dead; he had offered her a new life, a home and security. She had been grateful; in a way she still was.
How proudly the mariner had shown her the city. She had especially admired the long line of wooden quays built out into the river. “They’re all made of oak,” he had informed her. “There are so many oak trees in Britain that they just cut a huge beam from each tree and throw the rest away.” They had walked up the broad street from the bridge to the forum. She had found the square impressive, but what really astounded her was the single, huge building that ran across the entire north side. This was the basilica – the vast hall and office complex where the city council and judges met. As she gazed, awestruck, at the five-hundred-foot nave, her husband had told her: “It’s the biggest in northern Europe.” There was so much to see: the courtyards and fountains of the governor’s mansion; the several public baths; the many temples; and the great amphitheatre. It was thrilling to feel herself part of such a metropolis. “Rome is called the eternal city,” the mariner remarked, “but Londinium, too, is part of Rome.”
And though she could not express it, the girl had gained a sense of what it meant to be part of a great culture. For the classical culture of Greece and Rome was the world, from Africa to Britain. In Rome’s public places, the arches and pediments, columns and domes, colonnades and squares had a proportion, a sense of mass and volume, space and order, that was profoundly satisfying. Roman private houses, paintings, mosaics and sophisticated central heating provided comfort and repose. In the peaceful shadows of her temples, the perfect geometry of stone met the inner mystery of the sanctum. The known and the unknown had been married for centuries in Rome. The forms Rome produced were destined to echo throughout the world for two thousand years and would continue to resonate, perhaps, as long as humans survived. It was the gift of a historic culture that, though the girl could not have said such things, she instinctively knew them.