London's Underworld [10]
that is everlastingly denied them. Hungry and footsore, their souls fainting within them, they seek the homes where wives and children await their return with patient but hopeless resignation.
Take notice if you will of the places they enter, for surely the beautiful word "home" is desecrated if applied to most of their habitations. Horrid places within and without, back to back and face to face they stand.
At their doorway death stands ready to strike. In the murky light of little rooms filled with thick air child-life has struggled into existence; up and down their narrow stairs patient endurance and passive hopelessness ever pass and repass.
Small wonder that the filthy waters of a neighbouring canal woo and receive so many broken hearts and emaciated bodies.
But the procession now changes its sex, for weary widowed women are returning to children who for many hours have been lacking a mother's care, for mothers in the underworld must work if children must eat.
So the weary widows have been at the wash-tubs all day long, and are coming home with two shillings hardly earned. They call in at the dirty general shop, where margarine, cheese, bread, tinned meat and firewood are closely commingled in the dank air.
A loaf, a pennyworth of margarine, a pennyworth of tea, a bundle of firewood, half a pound of sugar, a pint of lamp-oil exhaust their list of purchases, for the major part of their earnings is required for the rent.
So they climb their stairs, they feed the children, put them unwashed to bed, do some necessary household work, and then settle down themselves in some shape, without change of attire, that they may rest and be ready for the duties of the ensuing day. Perhaps sweet oblivion will come even to them. "Blessings on the man who invented sleep," cried Sancho Panza, and there is a world of truth in his ecstatic exclamation, "it wraps him round like a garment."
Aye, that it does, for what would the poor weary women and men of London's underworld do without it? What would the sick and suffering be without it? In tiny rooms where darkness is made visible by penny-worths of oil burned in cheap and nasty lamps, there is no lack of pain and suffering, and no lack of patient endurance and passive heroism.
As night closes in and semi-darkness reigns around, when the streets are comparatively silent, when children's voices are no longer heard, come with me and explore!
It is one o'clock a.m., and we go down six steps into what is facetiously termed a "breakfast parlour"; here we find a man and woman about sixty years of age. The woman is seated at a small table on which stands a small, evil-smelling lamp, and the man is seated at another small table, but gets no assistance from the lamp; he works in comparative gloom, for he is almost blind; he works by touch.
For fifty years they have been makers of artificial flowers; both are clever artists, and the shops of the West End have fairly blazed with the glory of their roses. Winsome lassie's and serene ladies have made themselves gay with their flowers.
There they sit, as they have sat together for thirty years. Neither can read or write, but what can be done in flowers they can do. Long hours and dark rooms have made the man almost blind.
He suffers also from heart disease and dropsy. He cannot do much, but he can sit, and sit, while his wife works and works, for in the underworld married women must work if dying husbands are to be cared for.
So for fifteen hours daily and nightly they sit at their roses! Then they lie down on the bed we see in the corner, but sleep does not come, for asthma troubles him, and he must be attended and nursed.
Shall we pay another visit to that underworld room? Come, then. Two months have passed away, the evil-smelling lamp is still burning, the woman still sits at the table, but no rose-leaves are before her; she is making black tulips. On the bed lies a still form with limbs decently smoothed and composed; the poor blind eyes are closed for ever. He is awaiting the day of burial,
Take notice if you will of the places they enter, for surely the beautiful word "home" is desecrated if applied to most of their habitations. Horrid places within and without, back to back and face to face they stand.
At their doorway death stands ready to strike. In the murky light of little rooms filled with thick air child-life has struggled into existence; up and down their narrow stairs patient endurance and passive hopelessness ever pass and repass.
Small wonder that the filthy waters of a neighbouring canal woo and receive so many broken hearts and emaciated bodies.
But the procession now changes its sex, for weary widowed women are returning to children who for many hours have been lacking a mother's care, for mothers in the underworld must work if children must eat.
So the weary widows have been at the wash-tubs all day long, and are coming home with two shillings hardly earned. They call in at the dirty general shop, where margarine, cheese, bread, tinned meat and firewood are closely commingled in the dank air.
A loaf, a pennyworth of margarine, a pennyworth of tea, a bundle of firewood, half a pound of sugar, a pint of lamp-oil exhaust their list of purchases, for the major part of their earnings is required for the rent.
So they climb their stairs, they feed the children, put them unwashed to bed, do some necessary household work, and then settle down themselves in some shape, without change of attire, that they may rest and be ready for the duties of the ensuing day. Perhaps sweet oblivion will come even to them. "Blessings on the man who invented sleep," cried Sancho Panza, and there is a world of truth in his ecstatic exclamation, "it wraps him round like a garment."
Aye, that it does, for what would the poor weary women and men of London's underworld do without it? What would the sick and suffering be without it? In tiny rooms where darkness is made visible by penny-worths of oil burned in cheap and nasty lamps, there is no lack of pain and suffering, and no lack of patient endurance and passive heroism.
As night closes in and semi-darkness reigns around, when the streets are comparatively silent, when children's voices are no longer heard, come with me and explore!
It is one o'clock a.m., and we go down six steps into what is facetiously termed a "breakfast parlour"; here we find a man and woman about sixty years of age. The woman is seated at a small table on which stands a small, evil-smelling lamp, and the man is seated at another small table, but gets no assistance from the lamp; he works in comparative gloom, for he is almost blind; he works by touch.
For fifty years they have been makers of artificial flowers; both are clever artists, and the shops of the West End have fairly blazed with the glory of their roses. Winsome lassie's and serene ladies have made themselves gay with their flowers.
There they sit, as they have sat together for thirty years. Neither can read or write, but what can be done in flowers they can do. Long hours and dark rooms have made the man almost blind.
He suffers also from heart disease and dropsy. He cannot do much, but he can sit, and sit, while his wife works and works, for in the underworld married women must work if dying husbands are to be cared for.
So for fifteen hours daily and nightly they sit at their roses! Then they lie down on the bed we see in the corner, but sleep does not come, for asthma troubles him, and he must be attended and nursed.
Shall we pay another visit to that underworld room? Come, then. Two months have passed away, the evil-smelling lamp is still burning, the woman still sits at the table, but no rose-leaves are before her; she is making black tulips. On the bed lies a still form with limbs decently smoothed and composed; the poor blind eyes are closed for ever. He is awaiting the day of burial,