London's Underworld [46]
has ever seen the sea, and she laughs at the thought. The sun has browned, reddened and roughened her face, and when I say, "How delicate you look," she bursts again into merry laughter, and the whole party join her. Mrs. Holmes and myself join in, and our worthy trustee, bachelor and Quaker though he be, laughs merriest of all.
Aye! but this laughter was sweet music, but somehow it brought tears to my eyes.
Now just look at my friend over there beside one of the palms, her feet resting so naturally on the Turkey carpet! You observe she sits majestically in a commodious chair; she needs one! For she is five feet eleven inches in height, and weighs sixteen stone. I call her "The Queen," for when she stands up she is erect and queenly with a noble head and pleasing countenance.
She makes no secret about her age; "I am sixty, and I have been here four times, and, please God, I'll come forty-four more times," and she looks like it. But what if there had been no Singholm to look forward to year by year? Why, then she would have been heavy in heart as well as in body, and her erect form would have been bent, for she is a hard worker from Bethnal Green.
The idea of coming forty-four more times to Singholm, and she sixty-six, was the signal for more laughter, and again Singholm was tested; but our builder had done his work well.
"Turn on the electric light, matron!" There is a transformation scene for you! Now you see the delicate art colours in the Turkey carpets, and the subdued colours in the Medici Society's reproduced pictures.
See how they have ranged their chairs all round by the walls, and the centre of the room is unoccupied, saving here and there maidenhair ferns and growing flowers. Now look at the picture in its fulness! and we see poor old bent and feeble bodies bowed with toil, and faces furrowed by unceasing anxiety; but the sun, the east wind, the sea air and Singholm have brightened and browned them.
There is my poor old friend, long past threescore and ten, to whom Singholm for a time is verily Heaven; but--"Turn on the gramophone, please, matron." Thanks to a kind friend, we have a really good one, with a plentiful supply of records. The matron, in the wickedness of her heart, turns on an orchestral "cakewalk." The band plays, old bodies begin to move and sway, and seventy pair of feet begin unconsciously to beat the floor. Laughter again resounds; our Quaker himself enters into the spirit of it, so I invite him to lead off with the "Queen" for his partner, at which he was dismayed, although he is a veritable son of Anak.
But to my dismay the bent and feeble septuagenarian offered to lead off with myself as partner, at which I collapsed, for alas, I cannot dance. Then our trustee led the roars of laughter that testified to my discomfiture.
So we had no dancing, only a cakewalk. But we had more merriment and music, and then our little evening service. "What hymn shall we have?" Many voices called out, "Sun of my soul," so the matron went to the piano, and I listened while they sang "Watch by the sick, enrich the poor," which for me, whenever the poor, the feeble and aged sing it, has a power and a meaning that I never realise when the organ leads a well-trained choir and a respectable church congregation to blend their voices.
Then I read to them a few words from the old, but ever new, Book, and closed with a few simple, well-known prayers, and then--as old Pepys has it--"to bed."
We watch them file up the great staircase one by one, watch them disappear into their sweet little rooms and clean sheets. To me, at any rate, the picture was more comforting and suggestive than Burne Jones's "Golden Stairs." In fifteen minutes the electric light was switched off, and Singholm was in darkness and in peace. But outside the stars were shining, the flowers still blooming, the garden was full of the mystery of sweet odours; close by the sea was singing its soothing lullaby, and God was over all!
But let us get back to the underworld!
"How long have we lived together,
Aye! but this laughter was sweet music, but somehow it brought tears to my eyes.
Now just look at my friend over there beside one of the palms, her feet resting so naturally on the Turkey carpet! You observe she sits majestically in a commodious chair; she needs one! For she is five feet eleven inches in height, and weighs sixteen stone. I call her "The Queen," for when she stands up she is erect and queenly with a noble head and pleasing countenance.
She makes no secret about her age; "I am sixty, and I have been here four times, and, please God, I'll come forty-four more times," and she looks like it. But what if there had been no Singholm to look forward to year by year? Why, then she would have been heavy in heart as well as in body, and her erect form would have been bent, for she is a hard worker from Bethnal Green.
The idea of coming forty-four more times to Singholm, and she sixty-six, was the signal for more laughter, and again Singholm was tested; but our builder had done his work well.
"Turn on the electric light, matron!" There is a transformation scene for you! Now you see the delicate art colours in the Turkey carpets, and the subdued colours in the Medici Society's reproduced pictures.
See how they have ranged their chairs all round by the walls, and the centre of the room is unoccupied, saving here and there maidenhair ferns and growing flowers. Now look at the picture in its fulness! and we see poor old bent and feeble bodies bowed with toil, and faces furrowed by unceasing anxiety; but the sun, the east wind, the sea air and Singholm have brightened and browned them.
There is my poor old friend, long past threescore and ten, to whom Singholm for a time is verily Heaven; but--"Turn on the gramophone, please, matron." Thanks to a kind friend, we have a really good one, with a plentiful supply of records. The matron, in the wickedness of her heart, turns on an orchestral "cakewalk." The band plays, old bodies begin to move and sway, and seventy pair of feet begin unconsciously to beat the floor. Laughter again resounds; our Quaker himself enters into the spirit of it, so I invite him to lead off with the "Queen" for his partner, at which he was dismayed, although he is a veritable son of Anak.
But to my dismay the bent and feeble septuagenarian offered to lead off with myself as partner, at which I collapsed, for alas, I cannot dance. Then our trustee led the roars of laughter that testified to my discomfiture.
So we had no dancing, only a cakewalk. But we had more merriment and music, and then our little evening service. "What hymn shall we have?" Many voices called out, "Sun of my soul," so the matron went to the piano, and I listened while they sang "Watch by the sick, enrich the poor," which for me, whenever the poor, the feeble and aged sing it, has a power and a meaning that I never realise when the organ leads a well-trained choir and a respectable church congregation to blend their voices.
Then I read to them a few words from the old, but ever new, Book, and closed with a few simple, well-known prayers, and then--as old Pepys has it--"to bed."
We watch them file up the great staircase one by one, watch them disappear into their sweet little rooms and clean sheets. To me, at any rate, the picture was more comforting and suggestive than Burne Jones's "Golden Stairs." In fifteen minutes the electric light was switched off, and Singholm was in darkness and in peace. But outside the stars were shining, the flowers still blooming, the garden was full of the mystery of sweet odours; close by the sea was singing its soothing lullaby, and God was over all!
But let us get back to the underworld!
"How long have we lived together,