Lost in the Funhouse_ The Life and Mind of Andy Kaufman - Bill Zehme [14]
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“Your place looks like the world’s fair,” I said.
“Does it?” He turned his eyes toward it absently. “I have been glancing into some of the rooms. Let’s go to Coney Island, old sport.”
—Nick Carraway to Jay Gatsby,
F. Scott Fitzgerald
The Great Gatsby
Paths are taken but also given. Fate, stars, moons—he would later listen carefully to what they told him about who he was and why and how and where he would go. He shared his birthday with Cassius Clay/Muhammad Ali, which he would take as a sign—identities/invincibility. (Others born January 17, about which he cared less: Benjamin Franklin, Al Capone, acting theorist Konstantin Stanislavsky, silent-comedy director Mack Sennett—all of whom, like him, followed their divergent instincts unyieldingly.) His day of birth, he would discover, came with an astrological mandate—that he would do exactly what he was supposed to do and do it no matter what anyone else thought and no one would ever tell him otherwise. (Was anyone else really there?) He would never ask permission nor would he ever understand the meaning of permission. Thus, the hollerings of his father would increasingly become mere racket to him, an unpleasant din he would drown by whatever means most amused him. He lived for amusement, so much so that he became amusement—and that was his path and he went forth determined and oblivious. Now whenever a new passion enraptured him, he absorbed it entirely, became proficient at it, commanded it, finally showed it off to others (this last was most imperative to the plan). A new and finer hyperkinesia flamed throughout his awkward body, made it adroit, precise, confidant. When amused, when amusing, he beamed, he was beautiful. When his father forced him to attend athletic summer camp or play Little League baseball—well, there would be photographs in family albums of a boy sodden in unspeakable misery, quite limp/lost, quite out of context. Stanley later regretted doing that to him, humiliating his son by assuming that he was like any/every other template of American boyhood, that his son was anything at all like the boy that even he himself had been. No, here was a different boy with a mission. (Very serious about it … maybe funny to others … wasn’t trying to be funny …) And there would be, in all actuality, without metaphor, a different drummer—a very very extremely different drummer—and the different boy found the different drummer’s drumming in short order and then great changes took hold. Hence, the march of a lifetime ensued.
Everything enlarged. Beginning with the house. They moved to the best part of town, to King’s Point, long considered the most prestigious corner of Great Neck—albeit to a relatively new and modest subsection therein. This was summer 1956; the property at 21 Grassfield Road cost $52,000; houses here were built on lush berms and set far back from the street. Now there were five bedrooms, including Margaret