Lost in the Funhouse_ The Life and Mind of Andy Kaufman - Bill Zehme [44]
Best of all, they reaped the material benefits of thickness with Bobby King, whose father’s splendiferous Gatsby-like estate—with pool and cabana overlooking the rippling Sound—became their crash oasis, especially when the famous comedian was out on the road. They frolicked in the pool—Andy, naked, frequently—and lounged about. Peter Wassyng would remember Andy walking obliviously through the screen door of the King cabana—oh!—“Just spaced out, as usual.” Once they left the pool heater on overnight and Alan King, who was to host a party the next day, had to ship in ice blocks to chill the hot-soup chlorinade. They helped themselves to libations from the cabana, drawing endless draughts of beer from bottomless kegs, using always the frosted mugs that were ever cooling. The mugs, more than anything, inspired Andy to achieve something similar in life. “Frosted beer mugs!” he kept crowing and would always remember doing so. Gloria heard him vow repeatedly, “Oh, when I get rich and famous, this is what I will have! Frosted beer mugs and a keg for my own self!” On at least two occasions, they rode with Bobby’s father in Bobby’s father’s Rolls-Royce into the city to watch him perform on The Ed Sullivan Show. Andy was enthralled with the live broadcast hubbub, the red-lit cameras, the stage directions, the people scurrying, the havoc under the bright lights. It was time for him to do something about it. He heard about a school in Boston—not too picky about high school grade point averages—that specialized in teaching television production. Plus, he liked Boston, had thoroughly explored its oddest corners when he ran away from home. He waited until August 1968 to have his transcripts sent to this television school, this Grahm Junior College—only a two-year program!—and arrived there a few weeks later to start getting famous. Gloria would come visit and they would make a baby.
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Actually, if one imagines a story called “The Funhouse,” or “Lost in the Funhouse” … the beginning should recount the events between Ambrose’s first sight of the funhouse early in the afternoon and his entering it … in the evening. The middle would narrate all relevant events from the time he goes in to the time he loses his way…. Then the ending would tell what Ambrose does while he’s lost, how he finally finds his way out, and what everybody makes of the experience.
—John Barth,
Lost in the Funhouse
Very famous, after a fashion, living deep but humbly in the Hollywood Hills, he continued all the fictionalizing, after a fashion. Datetimeplace: November 29, 1980, 1:55 P.M. Greenvalley Road. The first book of the epic saga (with three books more to come, at least!), now reached handwritten pages 397-398, which would conclude this portion of the young entertainer’s life:
“Come on. All aboard!” called the conductor.
Huey turned and boarded the train. He kept looking back, down at his family, who kept waving at him until he was out of sight. Then he turned forward, remembering with a clear picture the sight of his father and mother with their arms around each other while they had been waving. He wiped a tear from his eyes, and his mouth hung open as he looked around at the scenery that passed and thought about all the past: the family, the amusement park, school, Tiny and the gang, his grandpa, Grandma, the adventures, the loveliness, the trucks, the cabs, and all that he had been through in his life so far. Then he thought about his dream girl and his goals, and all that might lie ahead of him.
He looked upward and sat up straight. Then he closed his mouth and smiled.
Tears did come first, they really did. Now he would start all over again, not knowing anyone really, which was very disconcerting since he had gone from abject loneliness to popular renegade crazy person to abject loneliness all over again. He would be homesick, spectacularly homesick, would feel like Elvis when Elvis went into the Army. He walked around for months, longer