Lost - Michael Robotham [34]
“Do you ever think about Mickey?” I ask.
“Sometimes.”
“So do I. I guess you have lots of new friends now.”
“Yeah, some, but Mickey was different. She was like an … a … a … appendix.”
“You mean appendage.”
“Yeah—like a heart.”
“That’s not really an appendage.”
“OK, like an arm, real important.” She drains her smoothie.
“You ever see Mrs. Carlyle?”
Sarah runs her fingers around the rim of her glass, collecting froth. “She still lives in the same place. My mum says it’d give her the creeps living where someone got killed but I reckon Mrs. Carlyle stays for a reason.”
“Why’s that?”
“She’s waiting for Mickey. I’m not saying that Mickey is gonna come home, you know. I just figure Mrs. Carlyle wants to know where she is. That’s why she goes to prison every month and visits him.”
“Visits who?”
“Mr. Wavell.”
“She visits him!”
“Every month. My mum says there’s something sick about that. Gives her the creeps.”
Sarah reaches across the table and turns my wrist so she can read the time. “I’m in heaps of trouble. Can I have my stuff now?”
I hand her the plastic shopping bag and a ten-quid note. “If I catch you shoplifting again, I’ll make you mop supermarket floors for a month.”
She rolls her eyes and is gone, pedalling furiously on her bicycle, carrying her coat, the bag of groceries and my frozen chicken korma.
The idea of Rachel Carlyle visiting Howard Wavell in prison sends chills through me. A grooming pedophile and a grieving parent—it’s wrong, it’s sick, but I know what she’s doing. Rachel wants to find Mickey. She wants to bring her home.
I remember something she said to me a long while ago. Her fingers were tumbling over and over in her lap as she described a little routine she had with Mickey. “Even to the post office,” they would say to each other, as they said goodbye and hugged.
“Sometimes people don’t come back,” said Rachel. “That’s why you should always make your goodbyes count.”
She was trying to hold on to every detail of Mickey—the clothes she wore, the games she played, the songs she sang; the way she frowned when she talked about something serious or a hiccupping laugh that made milk spurt out of her nose at the dinner table. She wanted to remember the thousands of tiny details and trivia that give light and shade to every life—even one as short as Mickey’s.
Ali meets me at the juice bar and I tell her what Sarah said.
“You’re going to go and see Howard, aren’t you, Sir?”
“Yes.”
“Could he have sent the ransom demand?”
“Not without help.”
I know what she’s thinking, although she won’t say anything. She agrees with Campbell. Every likely explanation has the word “hoax” attached, including the one where Howard uses a ransom demand to win his appeal.
On the drive to Wormwood Scrubs we cross under the Westway into Scrubs Lane. Teenage girls are playing hockey on the playing fields, while teenage boys sit and watch, captivated by the blue pleated skirts that swirl and dip against muddy knees and moss-smooth thighs.
Wormwood Scrubs Prison looks like a film set for a 1950s musical, where the filth and grime have been scrubbed off for the cameras. The twin towers are four stories high and in the center is a huge arched door impregnated with iron bolts.
I try to picture Rachel Carlyle arriving here to visit Howard. In my mind I see a black cab pull up in the forecourt and Rachel sliding out, never letting her knees separate. She walks carefully over the cobblestones, wary of turning her ankle. Glamour hasn’t been bred into her, despite her family’s money.
The visitors center is located to the right of the main gate in a set of temporary buildings. Wives and girlfriends have already started to gather, some with children who fidget and fight.
Once inside they are searched and asked for proof of identity. Their belongings are stored in lockers and gifts are vetted in advance. Anyone wearing clothes that too closely match the prison uniform is asked to change.
Ali gazes up