Love, Anger, Madness_ A Haitian Trilogy - Marie Chauvet [15]
They look so angelic in church! What were they thinking as they grimaced through their prayers? Were they trying to cheat God Himself, our overly tolerant God who calls all lost sheep to His bosom?
It was probably about seven in the evening.
I was on the landing and about to go downstairs when I looked up and caught Annette and Jean Luze exchanging glances. Annette took his hand first and pushed him into her bedroom. I pretended to go downstairs only to double back and put my ear to the door and my eye to the keyhole: they were still dressed and Jean Luze, his hands on her shoulders, stone-faced, unrecognizable, appeared to be fighting temptation. He threw her on the bed. Her skirt was tucked up, and he looked at her with a kind of hateful and appreciative curiosity. She moaned and brutally pulled him against her, eyes closed, nails biting into his back.
I suddenly stood up, overcome by some sort of prudishness, but I stayed a moment behind the door, heart racing, cheeks flushed. Then, agitated and dizzy from waves of feelings crashing together in me, I ran and threw myself flat on my stomach in bed. I left this position only when I heard Félicia calling me. I washed my face in a frenzy and went to her. She wanted some soup and she asked where her husband was.
“He is in the living room,” I answered calmly.
“And what is he doing?”
“He’s reading.”
“Ask him to come give me a kiss. He’s always afraid to wake me.”
To gain time, I suggested that she freshen up a little.
When I left her room a few minutes later, I found Jean Luze in the living room where he was indeed reading. No doubt he was trying to seem calm, quite prudently. He stood up and chose a record, the same one as always. But in his distracted state he made a mistake and the second movement of Beethoven’s Concerto no. 5 rose in a flutter, discreet, melodious, before rushing headlong into an incredibly violent chord.
He gave me an infinitely sweet look.
“You like this concerto too, don’t you? You come in each time I play it. The first movement is just as beautiful but I made a mistake … Ah! I couldn’t live without music … I think I’ve brought a record player with me my whole life. I was hardly twenty when I gave up everything else and bought one for the first time. My parents had just died and I was trying to scrape together a living …”
Just then, Annette appeared. I searched her face, looking for traces of victory that I could enjoy. She lit up a cigarette with quivering hands and threw Jean Luze a sidelong glance devoid of the misty-eyed gratitude I thought I would find there. He stared at her like an enemy. Their attitude surprised and disappointed me. I was willing to live this love through Annette only if she could measure up to it. It was essential that she outdo herself. Had she profaned this act that was so important in my eyes? What did