Love, Anger, Madness_ A Haitian Trilogy - Marie Chauvet [41]
“My beautiful darling,” his mother whispers to him, “my cutie!”
It’s started again. This morning, Calédu bludgeoned several peasants. He’s furious. I watched the whole scene from behind my shutters. Other eyes in the neighborhood were spying too. I saw curtains moved by trembling hands, eyes glowing behind other blinds; I heard whispering to the right, to the left, and piercing the whispering at almost regular intervals, Calédu’s swearing, the peasants’ cries of pain and protest: they went on strike against M. Long to demand a better price for their wood. In response M. Long unloaded an electric saw from the boat docked in the harbor for the past two hours, and the commandant made the peasants haul it themselves. It was taking too much time to chop the trees down with axes, and M. Long was in a hurry to buy all of the mountain wood at the price he had fixed. One of the peasants kept talking despite the blows:
“Don’t give in!” he yelled. “Hang on, and if I die, don’t forget you must stick together.”
He was taken to the prison dying …
I clutch my doll against my chest. Alone in the dark, I gaze at the moon and attempt a smile. Desire is fading. I feel purified. I hear the church clock chime the hour. Another sleepless night washes away and the day rises without pity and lines up behind the other days of my life. My wrinkles deepen and my features wilt. Old age is coming soon. Oh, I want to live, to live before it’s too late! Suddenly, I am starving for tenderness more than ever. My own is being wasted and I would like to give it to someone. I open the window. Dawn rises fragrant with the night sap oozing from the trees. I imagine Jean Luze lying next to Félicia. She sleeps with her back to him. He is alone like me. Alone with his memories and the heavy past he drags after him like a ball and chain. I see him. He is thinking, one hand behind his head, the other twisting a pajama button. I’m wrong, he’s in the living room. His favorite melody reaches me, muted. He is with Beethoven. Why did he flee his bedroom? What comfort does this music bring him? What’s going on inside him? I open my door carefully. He is there in his bathrobe, head in his arms, bent by what pain I don’t know. I gently close my door again and go to the window: another man is walking in the street, his face turned toward my house. A lit cigarette betrays the jerky movements of his hand. Who is this man watching?
This solitary patrol beneath my window reveals either love or hate.
Today Jean Luze’s brow is lined with concern. He smokes endlessly and walks up and down the dining room. We are alone. Félicia is in her room and Annette has not come home yet. I steal a glance at him but can’t bring myself to question him. Meanwhile, he suffers, I know it. He stops in front of me, looks at me for a second and draws a long puff from his cigarette.
“You know what Monsieur Long suggested to me yesterday?” he said. “No, it’s loathsome. He wanted me to doctor the books so that he could prove he paid the peasants three times more for the wood than he had. Naturally, I would get my cut. It’s really a gang and the Syrians are in on it too. I saw proof of this recently …”
He seems beside himself.
“I may be stupid,” he adds, “but I can’t compromise, I refuse to get rich that way. Maybe I’m old-fashioned, I see that now. After all, robbery and exploitation are the rule these days. Monsieur Long chose a foreigner as his accountant. He knows full well why. Because, after all, how is this any of my business, he must tell himself.