Love, Anger, Madness_ A Haitian Trilogy - Marie Chauvet [80]
Granting myself a final and supreme bit of vanity, I’ve put on my nicest nightgown, untied my hair and got in bed. Everything has to be perfect, it’s a point of honor. I feel wrapped in cool air. Am I hesitating? Ah! Cowardice, how full your disguises! The dagger is in my hand. I am preparing for death. The rough touch of my sheets is gone. I am gliding in silk. So sublime. Can this be me walking ecstatically, draped in crimson, toward that strange land of shadows? The fever is rising. Now I am buried in a shroud of flowers. I am spewing mist. I’m pierced by the freezing air. I am an iceberg pushed by the wind across the vast expanses of the sea. In the end this bitch of a life is not such a bitch when the heart has even the slightest reason to hope. Yes, but what about me, do I have some reason to hope?
I lift the weapon to my left breast, when the cries of a riotous mob shake me out of my delirium. Stretching out my arm with the drawn dagger, I listen. Where are these cries coming from? Now my attention is turned away from its goal. Life, death, do they depend on chance? I hide the dagger in my blouse and I come down. There are so many beggars that their stench overpowers me. The street is lit by the peasants’ torches. They are hollering, “Down with Mister Long,” and walking toward the American. He immediately aims a submachine gun: twenty fall. Calédu and his officers rush to the police station. They apparently intend to reestablish order by shooting in the air. I have the impression a bullet came from Jane’s house. Pierrilus draws his gun from his rags and aims at Calédu, and others do the same: three policemen fall to the ground. The bullets whizz by me, coming, I am now sure, from Jane’s balcony: I recognize Joël and Jean lying low behind the balusters. Uniforms are strewn on the ground. The commandant retreats as he fires. He is afraid, alone in the dark, hounded by the beggars he himself armed. He is moving backward toward my house. Does he realize that? Behind the blinds of the living room, I watch and wait for him.
I take my dagger from my blouse and open the door partway. He is on my veranda. I see him hesitate and turn his head in every direction. He is within reach. With extraordinary strength, I plunge the dagger into his back once, twice, three times. The blood spurts. He turns around, gripping the door, and looks at me. Is he going to die here, under my own roof? I see him stagger away and fall stretched out in the street, right in the middle of the gutter. The beggars, led by Pierrilus, fling themselves on his body like madmen.
No one has seen me, except perhaps Dora Soubiran, whose house is so close to mine. I cautiously close the dining room door. I hear Jean-Claude crying and Félicia talking. The wild cries of the beggars grow more intense. Behind the blinds glow hundreds of anguished eyes.
Jean Luze appears with a smoking gun. I hear Joël Marti holler:
“To the prison! Free the prisoners!”
A vast clamor rises in response.
Jean Luze grabs my hands. One of them still holds the dagger red with blood.
“Like an animal, he died like an animal,” I slowly articulate.
“You killed him? You? So you’re the one who got him? Oh! Claire …”
He squeezes