Love Over Scotland - Alexander Hanchett Smith [32]
Missing Domenica
The letter began with the usual salutation. Then: “You will see from the postmark – and the stamp – that I have reached my destination safely. When I embarked on that questionable ship I confess that I began to doubt my decision to make the journey by sea, but I must say that I do not regret it for a moment. Air travel is completely artificial. One enters a gleaming metal tube and subjects oneself to the experience of being carried through the sky while breathing the recycled air of several hundred other people. And then they have the effrontery to suggest that one should settle back and ‘enjoy the flight’! Of course, these airline people speak a different language altogether, a sort of debased mid-Atlantic English which is full of circumlocutions and cliché. The word ‘now’, such an honest, workmanlike word, has been replaced by ‘at this time’, as in ‘please fasten your seat belts at this time’, or ‘we are commencing (anglice starting) our descent at this time’. Why can’t they say ‘now’?
“Well, as you know, I refrained from all that and took a passage on a merchant ship, a large Norwegian container vessel of no discernible character. They had twenty passengers – a motley crew – and indeed they had a motley crew too. But we were able to read and play bridge with the Captain (a most eccentric bidder, I might add), and there was a simply immense deck to walk about for exercise.
“It got hotter and hotter, of course, and several of the other passengers became very morose and low. I was comfortable enough; my cabin windows opened and the ship’s movement made for a pleasant breeze. I lay about a lot, reading suitable books. I must confess, Angus, that I reread Somerset Maugham because it seemed to be just the thing in such circumstances. You know, Maugham really could write, unlike some novelists today, who go in for pretentiousness in a very big way. Maugham told marvellous stories, in the way in which nineteenth-century writers told stories. No artifice. No play with words. Just stories. I read Rain several times on board, because it’s all about a voyage, as you know. What a story! And The Painted Veil too, because it’s so refreshing to see a male writer having a go at a truly nasty woman; male writers don’t dare do that these days, Angus. You
Missing Domenica
67
wouldn’t get a modern Flaubert punishing Madame Bovary as the real Flaubert did. Oh no. By the way, did you know that Flaubert wrote terribly slowly? He managed five words an hour, which meant that on a good day he wrote about thirty words. Now they were good words, of course, but even so . . .”
Angus put down the letter and rose to his feet. He looked out of the window. It was as if Domenica was in the room with him. He could hear