Love Over Scotland - Alexander Hanchett Smith [74]
“That place,” said Matthew, as they drove past. “I had lunch there once.”
It was the sort of inconsequential thing that Matthew sometimes said. When she had first gone to work for him, Pat had expected these remarks to lead somewhere, but they rarely did. In another taxi, a long time ago, he had once said to her: “The Churchill Theatre” as they had driven past it, but had said nothing more. Now, as the taxi shot past the little bronze statue of Greyfriars Bobby, Matthew simply said “Dog”. Pat smiled to herself. There was something rather reassuring about Matthew. Wolf, and Tessie, and people like that were fundamentally unsettling; Wolf, for his physical attractiveness, and Tessie for her aggression. Matthew, by contrast, was utterly comfortable, and she felt for him a sudden affection. He might not be anything special, but he was a good friend and he was predictable. She would feel safe living with Matthew in India Street, although . . . There were doubts, but this was not the time to have them, just as she was about to leave Spottiswoode Street.
They reached their destination. Matthew insisted on paying the taxi fare, although Pat offered. Then, with Matthew behind her, Pat went up the common stair to the door of her flat. 154 The Story of Art
“Is she likely to be in?” whispered Matthew, as Pat inserted the key.
She was unsure. Tessie kept strange hours; Pat had heard her going out in the early hours of the morning and had often found her in during the afternoons. And then, late at night, she had sometimes heard the sound of raised voices emanating from her room.
“She might be,” she answered. “But I hope we don’t see her.”
Matthew shuddered. “Me too. Horrible girl.” He paused.
“What about him? Monsieur Loup? Will he be here?”
Pat shrugged. She did not want to see either of them at the moment, she thought, although when it came to Wolf –
well . . .
They entered the hall. Tessie’s door was closed, but there were faint sounds of music coming from within. She pointed to the door and raised a finger to her lips.
“Hers?” whispered Matthew.
“Yes.”
Her own door was slightly ajar, which puzzled her. She always closed it when she left the flat and she thought that she must have done that morning. She hesitated. Could Tessie have done something to her room? The thought crossed her mind, but she tried to dismiss it immediately. That sort of thing did not happen in Edinburgh, in real life, in ordinary student flats in Marchmont, in broad daylight. She pushed the door open cautiously. Everything inside seemed to be as she had left it. There was Sir Ernst Gombrich’s The Story of Art on the desk. There was her hairbrush and her sponge-bag. There was the picture of the family cat, Morris. There were the trainers she had been about to throw out, their frayed laces in a tangle.
Matthew pointed at the two suitcases balanced on the top of the wardrobe.
“Those?” he said.
Pat nodded and he reached up to retrieve the suitcases. She had fitted everything in those two cases when she had moved in, and so there was no reason why they should not do the move Bad Behaviour 155
in a single trip. Matthew placed the suitcases on the bed and opened them. Then she began to bundle clothes from the drawers into the cases. She noticed that Matthew turned away and looked out of the window while she did so, and again she felt a rush of fondness for him. It was such a nice, old-fashioned thing to do, the sort of thing that a modern boy would not think of. Modern boys would stare.
Soon the suitcases were filled. It proved to be a tight fit, and the trainers, and one or two other items were ignominiously consigned to the wastepaper bin. Sir Ernst Gombrich would not fit in, but Matthew agreed that Pat should carry him under her arm; he would be able to manage both suitcases, he said, as they would balance one another out.
Pat looked about her. She was sorry to be leaving the room, which she liked, and in which she had been comfortable. But it was too late now to have second thoughts, as Matthew