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Love's lovely counterfeit - James M. Cain [59]

By Root 381 0
we got to use other names, but we're going to join up. Then, when it's over, we can settle there, or somewhere. We'll have all the dough we need. And if we do get caught and brought back, we still got a chance. If you went in the war, you always got a chance."

"Will they take you?"

"You mean this hernia? That can be fixed. It's a simple operation. It takes ten days."

"Why the war, Ben? The real why, I mean."

"I want to. I want to do something I'm not ashamed of."

"It's not to get rid of me?"

"Didn't you hear me? You're going to join up too. If we work it right, we can get into outfits that'll let us see a lot of each other. Then when we got it lined up, we can get married. Even if it's under phoney names, we'll know it's legal."

"Then I want to, too. Kiss me, Ben."

"...I got to have a smoke."

"Me too. Here's a store. You hop off and get some, three or four packs, and I'll drive around the block."

He went into the drug store, bought four packages of cigarettes, dropped three of them into his overcoat pocket. Then he went outside, clawing the fourth package open with trembling fingers. Then he looked up and saw it happen, a perfect slow movie: her approach to the curb, just a few feet from the drug store; her obvious failure to see the fireplug; the toot of the traffic officer's whistle, and his slow, angry cross to the car; his comments to Dorothy, heated, no doubt, by the peevishness that comes from directing New Year's Eve traffic. For some seconds Ben stood, so close he could hear what the officer said. Then, all of a sudden the officer stopped, stared hard at Dorothy. By that Ben knew he recognized her from the picture in the paper. He started over, with some idea of getting close, of using some football trick, of disabling the officer somehow, so they could make their getaway with all the money in the world.

When the officer looked up he recognized him, too, and drew his gun. Ben opened his mouth to tell him to go easy with it, but he probably didn't picture to himself the size of his shoulders, the ominous resolution of his approach. The officer fired, and he felt a terrifying impact.

Chapter 12

For the second consecutive day, Ben stared at Mr. Cantrell with calm, baleful malevolence, and insulted him. Less bitterly, he insulted Mr. Bleeker, the prosecutor, who sat across from Dr. Ronde, the young intern, and Miss Houston, the rather pretty nurse. Mr. Bleeker let Mr. Cantrell do the talking this time, advisedly, perhaps, because he had let his temper run away with him yesterday, and made things difficult. Mr. Cantrell began with the statement that they had news today. The girl, Dorothy Lyons, had practically confessed, and her gun had been found. Also, evidence had been found in the bathroom of her sister's apartment, quite a few things of interest. Also, the sacks of money had furnished a motive. To all this, Ben replied that Mr. Cantrell was a dirty liar; that both he and Mr. Bleeker were a pair of heels to boot, as they had been on his payroll, and now they had turned on him. To this, Mr. Cantrell returned a grin and the assurance that Ben didn't mean it. And just as a friend, he added that he wished Ben would make a clean breast of the whole thing, agree to a plea, and then be left in peace to regain his strength. For his own part, he wouldn't be surprised if Ben would be let off with a suspended sentence, especially in view of what the girl had to say.

To this, Ben replied that he wouldn't be surprised that Mr. Cantrell had had something to do with the death of Arch Rossi, and that he had better look out, now that the body had been found. Dr. Ronde protested against the whole proceeding, saying that every minute it lasted was just that much more drain on the patient's vitality, and declining to be responsible for what might happen if it kept up.

When they were gone, Ben lay back wearily on the pillow and said to the uniformed patrolman who sat in the corner reading magazines: "Why can't they let you alone? When they see you're not going to talk, what's the idea of coming in here and just

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