Lucasta [47]
being the end Of his creation, to learn well to die; And live a PRISONER TO A WOMAN'S EYE."
<50.4> Original reads GODS; the present word is substituted in accordance with a MS. copy of the song printed by the late Dr. Bliss, in his edition of Woods ATHENAE. If Dr. Bliss had been aware of the extraordinary corruptions under which the text of LUCASTA laboured, he would have had less hesitation in adopting BIRDS as the true reading. The "Song to Althea," is a favourable specimen of the class of composition to which it belongs; but I fear that it has been over-estimated.
<50.5> Percy very unnecessarily altered LIKE COMMITTED LINNETS to LINNET-LIKE CONFINED (Percy's RELIQUES, ii. 247; Moxon's ed.) Ellis (SPECIMENS OF EARLY ENGLISH POETS, ed. 1801, iii. 252) says that this latter reading is "more intelligible." It is not, however, either what Lovelace wrote, or what (it may be presumed) he intended to write, and nothing, it would seem, can be clearer than the passage as it stands, COMMITTED signifying, in fact, nothing more than CONFINED. It is fortunate for the lovers of early English literature that Bp. Percy had comparatively little to do with it. Emendation of a text is well enough; but the wholesale and arbitrary slaughter of it is quite another matter.
SONNET. TO GENERALL GORING,<51.1> AFTER THE PACIFICATION AT BERWICKE. A LA CHABOT.<51.2>
I. Now the peace is made at the foes rate,<51.3> Whilst men of armes to kettles their old helmes translate, And drinke in caskes of honourable plate. In ev'ry hand [let] a cup be found, That from all hearts a health may sound To GORING! to GORING! see 't goe round.
II. He whose glories shine so brave and high, That captive they in triumph leade each care and eye, Claiming uncombated the victorie, And from the earth to heav'n rebound, Fixt there eternall as this round: To GORING! to GORING! see him crown'd.
III. To his lovely bride, in love with scars, Whose eyes wound deepe in peace, as doth his sword in wars; They shortly must depose the Queen of Stars: Her cheekes the morning blushes give, And the benighted world repreeve; To LETTICE! to LETTICE! let her live.
IV. Give me scorching heat, thy heat, dry Sun, That to this payre I may drinke off an ocean: Yet leave my grateful thirst unquensht, undone; Or a full bowle of heav'nly wine, In which dissolved stars should shine, To the couple! to the couple! th' are divine.
<51.1> Particulars of this celebrated man, afterward created Earl of Norwich, may be found in Eachard's HISTORY, Rushworth's COLLECTIONS, Whitelocke's MEMOIRS, Collins' PEERAGE by Brydges, Pepys' DIARY (i. 150, ed. 1858), and Peck's DESIDERATA CURIOSA, (ed. 1779, ii. 479). Whitelocke speaks very highly of his military character. In a poem called THE GALLANTS OF THE TIMES, printed in "Wit Restored," 1658, there is the following passage:--
"A great burgandine for WILL MURRAY'S sake GEORGE SYMONDS, he vows the first course to take: When STRADLING a Graecian dog let fly, Who took the bear by the nose immediately; To see them so forward Hugh Pollard did smile, Who had an old curr of Canary oyl, And held up his head that GEORGE GORING might see, Who then cryed aloud, TO MEE, BOYS, TO MEE!"
See, also, THE ANSWER:--
"GEORGE, Generall of Guenefrieds, He is a joviall lad, Though his heart and fortunes disagree Oft times to make him sad."
Consult Davenant's Works, 1673, p. 247, and FRAGMENTA AULICA, 1662, pp. 47, 54. Lord Goring died Jan. 6, 1663 (Smyth's OBITUARY, p. 57; Camden Soc.).
<51.2> A LA CHABOT was a French dance tune, christened after the admiral of that name, in the same manner as A LA BOURBON, mentioned elsewhere in LUCASTA, derived its title from another celebrated person. Those who have any acquaintance with the history of early English music need not to be informed that it was formerly
<50.4> Original reads GODS; the present word is substituted in accordance with a MS. copy of the song printed by the late Dr. Bliss, in his edition of Woods ATHENAE. If Dr. Bliss had been aware of the extraordinary corruptions under which the text of LUCASTA laboured, he would have had less hesitation in adopting BIRDS as the true reading. The "Song to Althea," is a favourable specimen of the class of composition to which it belongs; but I fear that it has been over-estimated.
<50.5> Percy very unnecessarily altered LIKE COMMITTED LINNETS to LINNET-LIKE CONFINED (Percy's RELIQUES, ii. 247; Moxon's ed.) Ellis (SPECIMENS OF EARLY ENGLISH POETS, ed. 1801, iii. 252) says that this latter reading is "more intelligible." It is not, however, either what Lovelace wrote, or what (it may be presumed) he intended to write, and nothing, it would seem, can be clearer than the passage as it stands, COMMITTED signifying, in fact, nothing more than CONFINED. It is fortunate for the lovers of early English literature that Bp. Percy had comparatively little to do with it. Emendation of a text is well enough; but the wholesale and arbitrary slaughter of it is quite another matter.
SONNET. TO GENERALL GORING,<51.1> AFTER THE PACIFICATION AT BERWICKE. A LA CHABOT.<51.2>
I. Now the peace is made at the foes rate,<51.3> Whilst men of armes to kettles their old helmes translate, And drinke in caskes of honourable plate. In ev'ry hand [let] a cup be found, That from all hearts a health may sound To GORING! to GORING! see 't goe round.
II. He whose glories shine so brave and high, That captive they in triumph leade each care and eye, Claiming uncombated the victorie, And from the earth to heav'n rebound, Fixt there eternall as this round: To GORING! to GORING! see him crown'd.
III. To his lovely bride, in love with scars, Whose eyes wound deepe in peace, as doth his sword in wars; They shortly must depose the Queen of Stars: Her cheekes the morning blushes give, And the benighted world repreeve; To LETTICE! to LETTICE! let her live.
IV. Give me scorching heat, thy heat, dry Sun, That to this payre I may drinke off an ocean: Yet leave my grateful thirst unquensht, undone; Or a full bowle of heav'nly wine, In which dissolved stars should shine, To the couple! to the couple! th' are divine.
<51.1> Particulars of this celebrated man, afterward created Earl of Norwich, may be found in Eachard's HISTORY, Rushworth's COLLECTIONS, Whitelocke's MEMOIRS, Collins' PEERAGE by Brydges, Pepys' DIARY (i. 150, ed. 1858), and Peck's DESIDERATA CURIOSA, (ed. 1779, ii. 479). Whitelocke speaks very highly of his military character. In a poem called THE GALLANTS OF THE TIMES, printed in "Wit Restored," 1658, there is the following passage:--
"A great burgandine for WILL MURRAY'S sake GEORGE SYMONDS, he vows the first course to take: When STRADLING a Graecian dog let fly, Who took the bear by the nose immediately; To see them so forward Hugh Pollard did smile, Who had an old curr of Canary oyl, And held up his head that GEORGE GORING might see, Who then cryed aloud, TO MEE, BOYS, TO MEE!"
See, also, THE ANSWER:--
"GEORGE, Generall of Guenefrieds, He is a joviall lad, Though his heart and fortunes disagree Oft times to make him sad."
Consult Davenant's Works, 1673, p. 247, and FRAGMENTA AULICA, 1662, pp. 47, 54. Lord Goring died Jan. 6, 1663 (Smyth's OBITUARY, p. 57; Camden Soc.).
<51.2> A LA CHABOT was a French dance tune, christened after the admiral of that name, in the same manner as A LA BOURBON, mentioned elsewhere in LUCASTA, derived its title from another celebrated person. Those who have any acquaintance with the history of early English music need not to be informed that it was formerly