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Lucia - Andrea Di Robilant [121]

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jerked to the side. In the general confusion, the penknife found its way down Vérand’s sleeve. Within a matter of seconds, blood gushed out from his arm, his shirt turned crimson and a large stain spread on the tablecloth. Luckily the local surgeon was able to rush over and stop the haemorrhaging. Still, Vérand’s arm was a dreadful mess of yellows and blues. The next day Lucia called Professor Dubois, the Imperial Surgeon, to make sure a main artery had not been seriously punctured. “It cost me a gold louis but at least it has taken away the awful anxiety.” Vérand took to his room to nurse his blemished limb and did not come out for days. “You can imagine how Alvisetto was frightened by the whole incident,” she wrote to Paolina, ever the protective mother.3

Lucia was unhappy with the way Vérand had arranged Alvisetto’s schedule. Her son had to get up at five o’clock in the morning in order to study for two hours with one of his teachers before going off to school. In the afternoon, he crossed the Jardin du Luxembourg to attend riding class at the Manège Impérial. He was home by dinnertime, and then hung sleepily over his homework until ten or eleven o’clock. Lucia was not surprised to learn that his grades were poor: he was probably dozing off during most of his classes. She cancelled his early-morning tutorials at home so he could sleep an hour later and still have time for morning mass. She had to drag him to church: “My son is not very devout,” Lucia admitted to her sister, “and doesn’t appreciate long services at all.” He was always tugging at her sleeve, and whispering “Let’s go, let’s go.”4

During her first weeks in Paris, Lucia called on few people, mostly friends from Milan who worked for the government in one capacity or another. She did not feel at all compelled to make her way into society; she certainly did not have a leather notebook in which to annotate the names and addresses of the families she called on, as she had had in Vienna back in 1801. “The purpose of my visit here is to be with my son,” she told Paolina. “Thus I spend most of my time at home.”5 That was true only in part. Lucia had no intention of living as a recluse in Paris. She had plenty of time to explore the city when Alvisetto was at school. She loved walking through the Jardin du Luxemburg, where the roses were in full bloom. And she would use any excuse to cross the Tuileries Gardens and spend a couple of hours in the busy shops of the Passage Feydau or the Passage Panorama. After a session with her hairdresser, Monsieur Guillaume, she often stopped for a lemonade at the Café de la Foi or an ice cream at Tortoni’s, and if the sun was out she sometimes prolonged her little excursion by having lunch at Martin Restaurateur, a popular restaurant near the Palais Royal. “For only two francs,” she boasted, “I can have a soup, an entrée, a roast of some kind and vegetables and dessert.”6 She never neglected her daily devotions, usually going to mass at the local parish, Saint Jacques, or to Saint Sulpice, the most beautiful church in Faubourg Saint Germain, where she sometimes saw the formidable Madame de Genlis absorbed in prayer. The first time Lucia glimpsed her at her pew, she was dressed in black and wore a little straw hat, also black, and a red scarf over her shoulders. “I had been told she was tall, as tall as Madame Dupont; she may have been, but now she stands with a stoop and is very thin.”7 If Lucia was away from her neighbourhood at the time of prayer, she walked into the first church she encountered. She stopped by at weddings and funerals, mixing with strangers just to observe the faces around her; later she would jot down a description of the trembling young bride of a rich parfumier or the eighty grieving relatives of a wool merchant.

Lucia kept a diary in Paris which she filled with brief, factual entries. She described herself wandering around the tombstones at the Père Lachaise cemetery, or looking at the pictures at the Louvre, where she once worked herself into a fit of indignation at the sight of a painting of Palazzo

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