Lunar Park - Bret Easton Ellis [28]
It was so quiet up there that you could barely hear the party downstairs; that’s how large the house was. It was also freezing, and I shivered uncontrollably as I moved down the darkened hallway. I walked by Robby’s room—his friend was zonked out in the huge king-sized bed, the Steven Spielberg movie 1941 (which had been on a lot lately) glowing from the wide-screen TV, the only light in my son’s room. I continued my walk down the hall and stopped at a huge expanse of window that looked out over the backyard: people were swimming in the heated pool and sprawled on chaise longues. A group of students had congregated in the mock graveyard, sharing a joint, and another group was crawling around each other through the headstones. And above the headstones I noticed the moon and a lunar light fanning over the field and there was actually a mist rolling in from the woods and drifting toward the house. I wanted suddenly to do another massive line and join the students when something behind me flickered, then dimmed—it was a wall sconce, wrought-iron and gold-rimmed, one of many that lined the hallway walls about six feet up from the floor. Tonight, though, they’d all been switched off.
But when I walked toward a sconce it lit up briefly and then dimmed as I passed by. This happened at the second sconce I passed, and then at the third. Each time I neared one it began glowing and then as I passed the sconce it dimmed again, as if they were moving with me, lighting my way down the darkened hallway. I started giggling at what I thought was a brief hallucination, but since it kept happening with each sconce I approached my hope that this was a drug-induced vision no longer made any sense. So I concluded it had something to do with how complicated the electrical situation had become due to the party—all the purple lights and extension cables causing problems throughout the house. That was what I told myself as I made my way toward the darkness of Sarah’s room.
The first thing I noticed was that her window was open, the curtains billowing in the hot night wind. I turned on the lights and moved through the faux French country–style room and looked out the window. The guitar was blocking me from getting a decent vantage point so I took it off and laid it gently on the cowhide carpeting that covered the floor. Below me, I could see the bouncers talking to two girls who were trying to crash the party, all four of them laughing and gesturing intimately at one another and I realized the girls had already been inside and were now just flirting with the guys guarding the door. I also noticed the number of cars crowding Elsinore Lane and then, moving among them, a tall figure dressed in a suit. I breathed in and stuck my head farther out the window to get a better look. The figure briefly turned as if he knew he was being watched, and I glimpsed the face of the guy who came to the party dressed as Patrick Bateman. I shuddered with relief that he was leaving—again, another reminder to boost myself up. (He was just a prank, I told myself; he was just the unexpected detail that materializes at every party, I told myself.) When I shut the window and turned around, whatever whimsy the room once held—cool, girly, Crayola-inspired—had inexplicably vanished.
The only real damage I initially noticed was that a small bookshelf had been overturned. I knelt down and pushed it back up against the wall and haphazardly piled books