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By Root 1095 0

wraparound sunglasses that Robby was wearing. When one of the boys glanced over at me as if I were contagious I finally understood that I was The Distraction—the reason this conversation was not going to last much longer. Once they realized I was observing them, the one I instinctively loathed the most gave me a look that said “Who the fuck are you?” and I overheard the term “dickweed”—though in relation to whom I wasn’t sure. The hard smooth faces barely touched by acne, the fashionable crew cuts, the hands jittery because of the meds, their uncertainty with one another—it all led to one thing for me: I did not trust any of them. And then, without warning, the group of boys broke up. Whatever interest they had in each other evaporated so rapidly that it seemed not to have existed at all. Robby trudged toward us under the glare of the mall light and it suddenly bothered me that so little of his life revolved around poetry or romance. Everything was grounded in the dull and anxious day-to-day. Everything was a performance. But what bothered me more—the thing that actually was the reason I became riveted by the boys—was that I’d heard one of them—as I turned away to guide Sarah to that nearby bench—say the name Maer Cohen. When I heard that name uttered I quickly glanced back as two of the boys made a hushing motion to the boy who’d spoken the name. Once they saw the startled expression on my face they perfected their poses. Poses they maintained despite the fact that Maer Cohen was one of them, was their age, was a boy who had lived only minutes from this mall, but now had vanished. And the thing that made me squirm with unease on that bench was the fact that not one of the five boys, including my son, had seemed frightened. None of them seemed scared. What bothered me most was how they had to dampen their enthusiasm—their glee—in front of the adult.

And then: an adrenaline rush interrupted by a question from Sarah.

“Daddy?” she asked.

“Yes?”

“Do you help people?”

But I wasn’t answering her anymore because I realized who was in the passenger seat of Aimee Light’s BMW.

It was the boy who had come to my office wanting me to sign a book.

It was the boy who came to a Halloween party dressed as Patrick Bateman.

The same boy that Aimee Light claimed she had never seen before.

It was Clayton.

“Daddy . . . do you help people?” Sarah asked again.

11. detective

Everything was suddenly a mirage. I drove Robby and Sarah home while replaying the first time I met Aimee Light: a girl staring at me blankly from across a campus party, the cocaine I’d snorted in the dingy bathroom giving me a burly, reckless confidence, the ensuing conversation about her thesis during which I realized I could probably control her even though she was throwing off the opposite vibe—I located it in the yawn after she told me its title (“Destination Nowhere”), and it was in the studied indifference, the (ho-hum) calculated laughter, her “boredom”: all just defense mechanisms—but I was patient, and was so adept at pretending to be interested in women I simply wanted to sleep with that I had perfected my own performance: the devil grin, the deep and persuasive nodding, the off-the-cuff comments about other girlfriends and my famous wife. Ultimately, everything was an act. We were on a stage. The cup of beer she sipped from was a prop, and the subsequent foam cresting her upper lip caused my eyes, as if rehearsed, to hone in on her mouth, and when she realized I was gazing at her she swayed toward—and complimented—a sculpture made of wire hanging in a corner of Booth House. Male undergrads were slithering around her, merely outlines in the darkness, and her face was streaked orange by the glow of a lava lamp, and an hour later I had followed her around the entire room without realizing it and she was now smiling the whole time, even when I walked away since it was late and I was a family man who had to get home and it was wrenching and I had already lost my faith. But I regained it when I looked back and saw that her face was creased with a frown.