Magicians of Caprona - Diana Wynne Jones [42]
There were movements at the other end of the room. Angelica Petrocchi was wavering to her feet, and she too was running her hand over the painted carving. Very anxiously and cautiously, she turned and looked at Tonino.
“Will you let me go now, please?” she said.
There was a little wobble in her voice that showed Tonino she was very frightened. So was he, now he came to think of it. “I can’t let you go,” he said. “I didn’t catch you. Neither of us can go. There isn’t a door.”
That was the wrong thing he had been trying not to notice. And as soon as he said it, he wished he had kept his mouth shut. Angelica screamed. And the sound sent Tonino into a panic too. There was no door! He was shut into a cardboard box with a Petrocchi child!
Tonino may have screamed as well—he was not sure. When he caught up with himself, he had one of the elegant chairs in his hands and was battering at the nearest window with it. That was more frightening than ever. The glass did not break. It was made of some slightly rubbery stuff, and the chair bounced off. Beyond him, the Petrocchi girl was banging away at another window with one of the silver candlesticks, screaming all the time. Outside the window, Tonino could clearly see the smug spire-shape of a little cypress tree, lit by afternoon sun. So they were in one of those rich villas near the Palace, were they? Just let him get out! He lifted the chair and smashed it against the window with all his strength.
He made no impression on the window, but the chair came to pieces. Two ill-glued legs fell off it, and the rest crumpled to splintery matchwood. Tonino thought it was disgustingly badly made. He threw it to the painted carpet and fetched another chair. This time, for variety, he attacked the wall beside the window. Pieces of that chair came away and flew about, and Tonino was left with its painted seat—painted to look like embroidery, just as the floor was painted to look like carpet. He drove it into the wall, again and again. It made large brown dents. Better still, the wall shook and leaped about, sounding muffled and hollow, as if it were made of something very cheap. Tonino beat at it and yelled. Angelica beat at the wall and the window impartially with her candlestick, and went on screaming.
They were stopped by a terrible hammering. Someone seemed to be dealing hundreds of thunderous blows on the ceiling. The room was like the inside of a drum. It was too loud to bear. The Petrocchi girl dropped her candlestick and rolled on the floor. Tonino found himself crouching down, with his hands to his ears, looking up at the chandelier jiggling overhead. He thought his head would burst.
The pounding stopped. There was no sound except a whimper, which Tonino rather thought came from him.
A great huge voice spoke through the ceiling. “That’s better. Now be quiet, or you won’t get any food. And if you try any more tricks, you’ll be punished. Understand?”
Tonino and Angelica both sat up. “Let us out!” they screamed.
There was no answer, only a distant shuffling. The owner of the huge voice seemed to be going away.
“A mean trick with an amplifying spell,” Angelica said. She picked up the candlestick and looked at it with disgust. The branched part was bent at right angles to the base. “What is this place?” she said. “Everything’s so shoddy.”
They got up and went to the windows again, in hopes of a clue. Several little spire-shaped trees were clearly to be seen, just outside, and a sort of terrace beyond that. But, peer as they might, all they could make out further