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Magnificent Ambersons, The - Booth Tarkington [120]

By Root 4440 0
not have said just then: "I'm sure your mother's watching over you, Georgie." She had meant to be kind, but it destroyed his last chance for sleep that night. He would have slept little if she had not said it, but since she had said it, he could not sleep at all. For he knew that it was true--if it could be true--and that his mother, if she still lived in spirit, would be weeping on the other side of the wall of silence, weeping and seeking for some gate to let her through so that she could come and "watch over him."

He felt that if there were such gates they were surely barred: they were like those awful library doors downstairs, which had shut her in to begin the suffering to which he had consigned her.

The room was still Isabel's. Nothing had been changed: even the photographs of George, of the Major, and of "brother George" still stood on her dressing-table, and in a drawer of her desk was an old picture of Eugene and Lucy, taken together, which George had found, but had slowly closed away again from sight, not touching it. To- morrow everything would be gone; and he had heard there was not long to wait before the house itself would be demolished. The very space which tonight was still Isabel's room would be cut into new shapes by new walls and floors and ceilings; yet the room would always live, for it could not die out of George's memory. It would live as long as he did, and it would always be murmurous with a tragic, wistful whispering.

And if space itself can be haunted, as memory is haunted, then some time, when the space that was Isabel's room came to be made into the small bedrooms and "kitchenettes" already designed as its destiny, that space might well be haunted and the new occupants come to feel that some seemingly causeless depression hung about it--a wraith of the passion that filled it throughout the last night that George Minafer spent there.

Whatever remnants of the old high-handed arrogance were still within him, he did penance for his deepest sin that night--and it may be that to this day some impressionable, overworked woman in a "kitchenette," after turning out the light will seem to see a young man kneeling in the darkness, shaking convulsively, and, with arms outstretched through the wall, clutching at the covers of a shadowy bed. It may seem to her that she hears the faint cry, over and over:

"Mother, forgive me! God, forgive me!"

Chapter XXXII


* * *

At least, it may be claimed for George that his last night in the house where he had been born was not occupied with his own disheartening future, but with sorrow for what sacrifices his pride and youth had demanded of others. And early in the morning he came downstairs and tried to help Fanny make coffee on the kitchen range.

"There was something I wanted to say to you last night, Aunt Fanny," he said, as she finally discovered that an amber fluid, more like tea than coffee, was as near ready to be taken into the human system as it would ever be. "I think I'd better do it now."

She set the coffee-pot back upon the stove with a little crash, and, looking at him in a desperate anxiety, began to twist her dainty apron between her fingers without any consciousness of what she was doing.

"Why--why--" she stammered; but she knew what he was going to say, and that was why she had been more and more nervous. "Hadn't--perhaps-- perhaps we'd better get the--the things moved to the little new home first, George. Let's--"

He interrupted quietly, though at her phrase, "the little new home," his pungent impulse was to utter one loud shout and run. "It was about this new place that I wanted to speak. I've been thinking it over, and I've decided. I want you to take all the things from mother's room and use them and keep them for me, and I'm sure the little apartment will be just what you like; and with the extra bedroom probably you could find some woman friend to come and live there, and share the expense with you. But I've decided on another arrangement for myself, and so I'm not going with you. I don't suppose you'll mind much, and I don't

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