Main Street and Other Poems [6]
band is cheering to my heart
And I like the smell of the trampled grass and elephants and hay.
I take off my hat to the acrobat with his delicate, strong art,
And the motley mirth of the chalk-faced clown drives all my care away.
I wish I could feel as they must feel, these players brave and fair,
Who nonchalantly juggle death before a staring throng.
It must be fine to walk a line of silver in the air
And to cleave a hundred feet of space with a gesture like a song.
Sir Henry Irving never knew a keener, sweeter thrill
Than that which stirs the breast of him who turns his painted face
To the circling crowd who laugh aloud and clap hands with a will
As a tribute to the clown who won the great wheel-barrow race.
Now, one shall work in the living rock with a mallet and a knife,
And another shall dance on a big white horse that canters round a ring,
By another's hand shall colours stand in similitude of life;
And the hearts of the three shall be moved by one mysterious high thing.
For the sculptor and the acrobat and the painter are the same.
They know one hope, one fear, one pride, one sorrow and one mirth,
And they take delight in the endless fight for the fickle world's acclaim;
For they worship art above the clouds and serve her on the earth.
But you, who can build of the stubborn rock no form of loveliness,
Who can never mingle the radiant hues to make a wonder live,
Who can only show your little woe to the world in a rhythmic dress --
What kind of a counterpart of you does the three-ring circus give?
Well -- here in the little side-show tent to-day some people stand,
One is a giant, one a dwarf, and one has a figured skin,
And each is scarred and seared and marred by Fate's relentless hand,
And each one shows his grief for pay, with a sort of pride therein.
You put your sorrow into rhyme and want the world to look;
You sing the news of your ruined hope and want the world to hear;
Their woe is pent in a canvas tent and yours in a printed book.
O, poet of the broken heart, salute your brothers here!
Queen Elizabeth Speaks
My hands were stained with blood, my heart was proud and cold,
My soul is black with shame . . . but I gave Shakespeare gold.
So after aeons of flame, I may, by grace of God,
Rise up to kiss the dust that Shakespeare's feet have trod.
Mid-ocean in War-time
(For My Mother)
The fragile splendour of the level sea,
The moon's serene and silver-veiled face,
Make of this vessel an enchanted place
Full of white mirth and golden sorcery.
Now, for a time, shall careless laughter be
Blended with song, to lend song sweeter grace,
And the old stars, in their unending race,
Shall heed and envy young humanity.
And yet to-night, a hundred leagues away,
These waters blush a strange and awful red.
Before the moon, a cloud obscenely grey
Rises from decks that crash with flying lead.
And these stars smile their immemorial way
On waves that shroud a thousand newly dead!
In Memory of Rupert Brooke
In alien earth, across a troubled sea,
His body lies that was so fair and young.
His mouth is stopped, with half his songs unsung;
His arm is still, that struck to make men free.
But let no cloud of lamentation be
Where, on a warrior's grave, a lyre is hung.
We keep the echoes of his golden tongue,
We keep the vision of his chivalry.
So Israel's joy, the loveliest of kings,
Smote now his harp, and now the hostile horde.
To-day the starry roof of Heaven rings
With psalms a soldier made to praise his Lord;
And David rests beneath Eternal wings,
Song on his lips, and in his hand a sword.
The New School
(For My Mother)
The halls that were loud with the merry tread of young and careless feet
Are still with a stillness that is too drear to seem like holiday,
And never a gust of laughter breaks the calm of the dreaming street
Or rises to shake the ivied walls and frighten the doves away.
The dust is on book and on empty desk, and the tennis-racquet and balls
And I like the smell of the trampled grass and elephants and hay.
I take off my hat to the acrobat with his delicate, strong art,
And the motley mirth of the chalk-faced clown drives all my care away.
I wish I could feel as they must feel, these players brave and fair,
Who nonchalantly juggle death before a staring throng.
It must be fine to walk a line of silver in the air
And to cleave a hundred feet of space with a gesture like a song.
Sir Henry Irving never knew a keener, sweeter thrill
Than that which stirs the breast of him who turns his painted face
To the circling crowd who laugh aloud and clap hands with a will
As a tribute to the clown who won the great wheel-barrow race.
Now, one shall work in the living rock with a mallet and a knife,
And another shall dance on a big white horse that canters round a ring,
By another's hand shall colours stand in similitude of life;
And the hearts of the three shall be moved by one mysterious high thing.
For the sculptor and the acrobat and the painter are the same.
They know one hope, one fear, one pride, one sorrow and one mirth,
And they take delight in the endless fight for the fickle world's acclaim;
For they worship art above the clouds and serve her on the earth.
But you, who can build of the stubborn rock no form of loveliness,
Who can never mingle the radiant hues to make a wonder live,
Who can only show your little woe to the world in a rhythmic dress --
What kind of a counterpart of you does the three-ring circus give?
Well -- here in the little side-show tent to-day some people stand,
One is a giant, one a dwarf, and one has a figured skin,
And each is scarred and seared and marred by Fate's relentless hand,
And each one shows his grief for pay, with a sort of pride therein.
You put your sorrow into rhyme and want the world to look;
You sing the news of your ruined hope and want the world to hear;
Their woe is pent in a canvas tent and yours in a printed book.
O, poet of the broken heart, salute your brothers here!
Queen Elizabeth Speaks
My hands were stained with blood, my heart was proud and cold,
My soul is black with shame . . . but I gave Shakespeare gold.
So after aeons of flame, I may, by grace of God,
Rise up to kiss the dust that Shakespeare's feet have trod.
Mid-ocean in War-time
(For My Mother)
The fragile splendour of the level sea,
The moon's serene and silver-veiled face,
Make of this vessel an enchanted place
Full of white mirth and golden sorcery.
Now, for a time, shall careless laughter be
Blended with song, to lend song sweeter grace,
And the old stars, in their unending race,
Shall heed and envy young humanity.
And yet to-night, a hundred leagues away,
These waters blush a strange and awful red.
Before the moon, a cloud obscenely grey
Rises from decks that crash with flying lead.
And these stars smile their immemorial way
On waves that shroud a thousand newly dead!
In Memory of Rupert Brooke
In alien earth, across a troubled sea,
His body lies that was so fair and young.
His mouth is stopped, with half his songs unsung;
His arm is still, that struck to make men free.
But let no cloud of lamentation be
Where, on a warrior's grave, a lyre is hung.
We keep the echoes of his golden tongue,
We keep the vision of his chivalry.
So Israel's joy, the loveliest of kings,
Smote now his harp, and now the hostile horde.
To-day the starry roof of Heaven rings
With psalms a soldier made to praise his Lord;
And David rests beneath Eternal wings,
Song on his lips, and in his hand a sword.
The New School
(For My Mother)
The halls that were loud with the merry tread of young and careless feet
Are still with a stillness that is too drear to seem like holiday,
And never a gust of laughter breaks the calm of the dreaming street
Or rises to shake the ivied walls and frighten the doves away.
The dust is on book and on empty desk, and the tennis-racquet and balls