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Main Street (Barnes & Noble Classics Ser - Sinclair Lewis [70]

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with Guy. Is that what I want, something to mother, a man or a baby or a town? I will have a baby. Some day. But to have him isolated here all his receptive years——

“And so to bed.

“Have I found my real level in Bea and kitchen-gossip?

“Oh, I do miss you, Will. But it will be pleasant to turn over in bed as often as I want to, without worrying about waking you up.

“Am I really this settled thing called a ‘married woman’? I feel so unmarried tonight. So free. To think that there was once a Mrs. Kennicott who let herself worry over a town called Gopher Prairie when there was a whole world outside it!

“Of course Will is going to like poetry.”

III

A black February day. Clouds hewn of ponderous timber weighing down on the earth; an irresolute dropping of snow specks upon the trampled wastes. Gloom but no veiling of angularity. The lines of roofs and sidewalks sharp and inescapable.

The second day of Kennicott’s absence.

She fled from the creepy house for a walk. It was thirty below zero; too cold to exhilarate her. In the spaces between houses the wind caught her. It stung, it gnawed at nose and ears and aching cheeks, and she hastened from shelter to shelter, catching her breath in the lee of a barn, grateful for the protection of a billboard covered with ragged posters showing layer under layer of paste-smeared green and streaky red.

The grove of oaks at the end of the street suggested Indians, hunting, snow-shoes, and she struggled past the earth-banked cottages to open country, to a farm and a low hill corrugated with hard snow. In her loose nutria coat, seal toque, virginal cheeks, unmarked by lines of village jealousies, she was as out of place on this dreary hillside as a scarlet tanager on an ice-floe. She looked down on Gopher Prairie. The snow, stretching without break from streets to devouring prairie beyond, wiped out the town’s pretense of being a shelter. The houses were black specks on a white sheet. Her heart shivered with that still loneliness as her body shivered with the wind.

She ran back into the huddle of streets, all the while protesting that she wanted a city’s yellow glare of shop-window and restaurants, or the primitive forest with hooded furs and a rifle, or a barnyard warm and steamy, noisy with hens and cattle, certainly not these dun houses, these yards choked with winter ash-piles, these roads of dirty snow and clotted frozen mud. The zest of winter was gone. Three months more, till May, the cold might drag on, with the snow ever filthier, the weakened body less resistant. She wondered why the good citizens insisted on adding the chill of prejudice, why they did not make the houses of their spirits more warm and frivolous, like the wise chatterers of Stockholm and Moscow.

She circled the outskirts of the town and viewed the slum of “Swede Hollow.” Wherever as many as three houses are gathered there will be a slum of at least one house. In Gopher Prairie, the Sam Clarks boasted, “you don’t get any of this poverty that you find in cities—always plenty of work—no need of charity—man got to be blame shiftless if he don’t get ahead.” But now that the summer mask of leaves and grass was gone, Carol discovered misery and dead hope. In a shack of thin boards covered with tar-paper she saw the washer-woman, Mrs. Steinhof, working in gray steam. Outside, her six-year-old boy chopped wood. He had a torn jacket, muffler of a blue like skimmed milk. His hands were covered with red mittens through which protruded his chapped raw knuckles. He halted to blow on them, to cry disinterestedly.

A family of recently arrived Finns were camped in an abandoned stable. A man of eighty was picking up lumps of coal along the railroad.

She did not know what to do about it. She felt that these independent citizens, who had been taught that they belonged to a democracy, would resent her trying to play Lady Bountiful.

She lost her loneliness in the activity of the village industries—the railroad-yards with a freight-train switching, the wheat-elevator, oil-tanks, a slaughter-house with blood-marks on the snow,

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