Mao II - Don Delillo [19]
He spoke quietly, looking away from her. He gave the impression he was learning these things for the first time, hearing them at last. How strange they sounded. He couldn’t understand how any of it had happened, how a young man, inexperienced, wary of the machinery of gloss and distortion, protective of his work and very shy and slightly self-romanticizing, could find himself all these years later trapped in his own massive stillness.
“Are you fading at all?”
“No.”
“I forget how weary all this concentrated effort can make a person. I have no conscience when it comes to work. I expect the subject to be as single-minded as I am.”
“This isn’t work for me.”
“We make pictures together after all.”
“Work is what I do to feel bad.”
“Why should anyone feel good?”
“Exactly. When I was a kid I used to announce ballgames to myself. I sat in a room and made up the games and described the play-by-play out loud. I was the players, the announcer, the crowd, the listening audience and the radio. There hasn’t been a moment since those days when I’ve felt nearly so good.”
He had a smoker’s laugh, cracked and graveled.
“I remember the names of all those players, the positions they played, their spots in the batting order. I do batting orders in my head all the time. And I’ve been trying to write toward that kind of innocence ever since. The pure game of making up. You sit there suspended in a perfect clarity of invention. There’s no separation between you and the players and the room and the field. Everything is seamless and transparent. And it’s completely spontaneous. It’s the lost game of self, without doubt or fear.”
“I don’t know, Bill.”
“I don’t know, either.”
“It sounds like mental illness to me.”
He laughed again. She took pictures of him laughing until the roll was finished. Then she loaded the camera and moved him away from the quartz lamp and started shooting again, using window light now.
“Incidentally. I bring a message from Charles Everson.”
Bill hitched up his pants. He seemed to look past her, frisking himself for signs of cigarettes.
“I ran into him at a publishing dinner somewhere. He asked how my work was going. I told him I’d probably be seeing you.”
“No reason you shouldn’t mention it.”
“I hope it’s all right.”
“The pictures will be out one day.”
“Actually the only message I bring is that Charles wants to talk to you. He wouldn’t tell me what it’s all about. I told him to write you a letter. He said you don’t read your mail.”
“Scott reads my mail.”
“He said that what he had to tell you couldn’t be seen or heard by anyone else. Far too delicate. He also said he used to be your editor and good, good friend. And he said it was distressing not to be able to get in touch with you directly.”
Bill looked for matches now, clearing papers off the desktop.
“How’s old Charlie then?”
“The same. Soft, pink and happy.”
“Always new writers, you see. They sit in their corner offices and never have to worry about surviving