Mao II - Don Delillo [86]
They decided to go to a nightclub along the coast, a place where Lebanese in large numbers took their exile and longing. Bill sat jammed in a corner of the taxi feeling muddled and blurred. Muzzy. This was a word he hadn’t heard or thought of in many years. The vets were trying to get the driver to improvise a verse for Kataklysmos, an important local feast in memory of the flood.
The club was large and crowded. A middle-aged woman with a hand mike moved among the tables singing laments in Arabic and French. Bill sat drinking at the end of a banquette packed solid with the three original vets and two others found wandering outside. The original woman let him lay a bent hand on her loamy thigh. A champagne cork shot out of a bottle about every forty seconds. Bill thought he saw his book across the room, obese and lye-splashed, the face an acid spatter, zipped up and decolored, with broken teeth glinting out of the pulp. It was so true and real it briefly cleared his muzziness. Couples stood clinging on the dance floor and a champagne bottle exploded in someone’s face, the man standing in a creamy flash of blood and foam and looking down at the damage to his suit. There were fashion references everywhere, women wearing skull jewelry and several young bravos in camouflage sunglasses and pieces of militia gear. Arguments spread around the room, the champagne came sluicing with a bang and Bill thought there was a two-hearted mood in the air, a reflectiveness at the center of the noise and babble, a yearning for home that had a secret hidden inside it, the shared awareness that they did not want to escape the war, that the war was pulling them into it and they were here to join hands and death-dance willingly past the looted hotels and the fields of tumbled stonework. And he looked at the weird little man in whiteface going up on the small stage to sing “Mack the Knife” in Louis Armstrong’s voice, a perfect chilling imitation of the famous sweet-potato growl, and Bill hated hearing that sound coming out of a fold-up body that lives in a suitcase, it was awful, it was damn scary, but the vets were fascinated, not a whisper or blink, it was the shark song they’d been waiting for all night, the cataclysmic verse.
It hurt to breathe. He moved his hand along the woman’s thigh. There was something about her hair being cut straight across the forehead that made him think he was feeling up a teacher in a storeroom filled with the new-penny freshness of school supplies. Oh God make her let me do it to her. Later in the men’s room Bill and the bearded vet walked right past each other without a word or sign. Seemed natural enough in the episodic course of a long night among strangers in a distant city. It felt to Bill that a life had come and gone since the segment on the promenade with a sea breeze and colored bulbs.
When he woke up on the hotel bed he was in his shorts, still wearing his socks and one shoe. It took him a while to figure out where he was. Once he had this settled he tried to recall how he’d made it back. He had no memory of leaving the nightclub. It frightened him, it made him see himself banging into walls, stagger-drunk in the dark somewhere. The danger of the world is immense. He saw it now, how dumb and lucky he’d been, testing that peril. There was one cigarette in the pack. He took off his shoe and had a smoke. Strange to think of himself in lost time, managing any number of delicate maneuvers, shuffling, trailing the hash of a lifespan. It frightened and humbled him but also made him feel darkly charmed.
He remembered the important things, how the boy who ate grasshoppers opened his mouth to show part of a wing and an eye and the juices of the chomped-up body leaking through his teeth.
He went into the bathroom to spit. He hawked it up and spat it out. He urinated. He shook the last drop of pee off his dick. This was his life. He put the cigarette on the glass shelf and washed his face. He dried himself and went to sit at the edge of the bed, smoking intently, studying