Marco Polo - Laurence Bergreen [10]
Realizing that France would not be able to honor its obligation, Venetian representatives proposed a new deal; they would forgive the debt if the unemployed Crusaders would assist them in achieving a slightly different goal: subduing Zara, a rebellious city across the Adriatic Sea. The French agreed. Zara fell, and the two sides shared the plunder equally. The arrangement completed the transformation of the Crusade from a religious campaign into a commercial enterprise.
The emboldened Crusaders then sailed to Constantinople, the capital of the Byzantine Empire, which was the successor to the Eastern portion of the Roman Empire. Named after the Roman emperor Constantine the Great, who ruled in the fourth century AD, Constantinople was a city of many faiths, but Orthodox Christianity predominated. In the mental calculus of the Crusaders, the Orthodox Church had come to seem almost as nefarious as Islam, and therefore deserving of vengeance. Any justification, no matter how far-fetched, would do, because Constantinople was an extremely rich and vulnerable prize.
Constantinople boasted not of its military prowess but of its libraries, works of art, and public monuments on a scale far greater than those in Western Europe. The architectural style of much of the city drew on Roman principles; Roman arches, columns, and adornments—along with Eastern elements—became the basis of Byzantine architecture. The population was immense, as many as a million people, more than ten times greater than that of Venice. And the city was ripe for conquest.
The sack of Constantinople in April 1204 lasted for three days of destruction and death. Laymen and clergymen, women, children—everyone fell beneath the Crusaders’ swords. When the worst of the violence was over, mobs rushed into churches, broke up altars, and carried off sacred vessels. Drunken soldiers snatched priestly vestments, which they used to cover their horses. A drunken prostitute danced on the patriarch’s throne as she sang out obscene ditties. Tombs and statuary dating back to antiquity were shattered—or carried off. Afterward, many of the city’s artworks, manuscripts, and religious items were spirited away to relative safety in outlying villages, towns, and monasteries. Even after the Crusaders left, the looting continued for years.
Venetians excelled in plundering; they knew all the best religious artifacts, the most precious gems, the most important statuary to carry away. As a visible symbol of conquest, four bronze horses were taken out of Constantinople to adorn the façade of the Basilica di San Marco; they represented the choicest booty of empire, another stolen treasure that came to reside in Venice.
The best craftsmen from Constantinople also found their way to Venice. Legions of glassblowers, silversmiths and goldsmiths, iconographers, artists, and sculptors were brought to Venice, where they practiced trades that in time came to seem synonymous with their adoptive city rather than their homeland.
POPE INNOCENT III professed himself horrified when news of the sack of Constantinople and the atrocities undertaken in the name of Christendom reached his ears. He excommunicated multitudes of Crusaders before realizing that they had been absolved