Masscult and Midcult_ Essays Against the American Grain - Dwight MacDonald [12]
Whenever a Lord of Masscult is reproached for the low quality of his products, he automatically ripostes, “But that’s what the public wants, what can I do?” A simple and conclusive defense, at first glance. But a second look reveals that (1) to the extent the public “wants” it, the public has been conditioned to some extent by his products, and (2) his efforts have taken this direction because (a) he himself also “wants” it—never underestimate the ignorance and vulgarity of publishers, movie producers, network executives and other architects of Masscult—and (b) the technology of producing mass “entertainment” (again, the quotes are advised) imposes a simplistic, repetitious pattern so that it is easier to say the public wants this than to say the truth which is that the public gets this and so wants it. The March Hare explained to Alice that “I like what I get” is not the same thing as “I get what I like,” but March Hares have never been welcome on Madison Avenue.
For some reason, objections to the giving-to-the-public-what-it-wants line are often attacked as undemocratic and snobbish. Yet it is precisely because I do believe in the potentialities of ordinary people that I criticize Masscult. For the masses are not people, they are not The Man in the Street or The Average Man, they are not even that figment of liberal condescension, The Common Man. The masses are, rather, man as non-man, that is man in a special relationship to other men that makes it impossible for him to function as man (one of the human functions being the creation and enjoyment of works of art). “Mass man,” as I use the term, is a theoretical construction, an extreme toward which we are being pushed but which we shall never reach. For to become wholly a mass man would mean to have no private life, no personal desires, hobbies, aspirations, or aversions that are not shared by everybody else. One’s behavior would be entirely predictable, like a piece of coal, and the sociologists could at last make up their tables confidently. It is still some time to 1984 but it looks unlikely that Orwell’s anti-Utopia will have materialized by then, or that it will ever materialize. Nazism and Soviet Communism, however, show us how far things can go in politics, as Masscult does in art. And let us not be too smug in this American temperate zone, unravaged by war and ideology. “It seems to me that nearly the whole Anglo-Saxon race, especially of course in America, have lost the power to be individuals. They have become social insects like bees and ants.” So Roger Fry wrote years ago, and who will say that we have become less apian?
III
Like the early capitalism Marx and Engels described in The Communist Manifesto, Masscult is a dynamic, revolutionary force, breaking down the old barriers of class, tradition, and taste, dissolving all cultural distinctions. It mixes, scrambles everything together, producing what might be called homogenized culture, after another American achievement, the homogenization process that distributes the globules of cream evenly throughout the milk instead of allowing them to float separately on top. The interesting difference is that whereas the cream is still in the homogenized