McSweeney's Mammoth Treasury of Thrilling Tales - Michael Chabon [124]
The terrain is varied and Rita is happy; the route seems as if planned by hikers with short attention spans. There has been rain forest, then savannah, then more forest, then forest charred, and now the path cuts through a rocky hillside covered in ice-green ground cover, an ocean floor drained, the boulders everywhere huge and dripping with lichen of a seemingly synthetic orange.
The porters are passing her regularly now, not just the porters from her group but about a hundred more, from the Canadian camp, the German camp, other camps. She passes a tiny Japanese woman sitting on a round rock, flanked by a guide and a porter, waiting.
The porters are laboring more now. On the first day, they seemed almost cavalier, and walked so quickly, that now she is surprised to see them straining, plodding and unamused. A small porter, older, approaches her back and she stops to allow him through.
“Jambo,” she says.
“Jambo,” he says.
He is carrying a large duffel with Jerry’s name on it, atop his head, held there with the bag’s thick strap, with cuts across his forehead. Below the strap, perspiration flows down the bridge of his nose.
“Habari?” she says.
“Imara,” he says.
“Water?” she asks. He stops.
She removes her bottle from her backpack holster and holds it out to him. He stops and takes it, smiling. He takes a long drink from the wide mouth of the clear plastic container, and then continues walking.
“Wait!” she says, laughing. He is walking off with the water bottle. “Just a sip,” she says, gesturing to him that she would like the container back. He stops and takes another drink, then hands it to her, bowing his head slightly while wiping his mouth with the back of his hand.
“Thank you,” he says. He continues up the trail.
They have made camp. It’s three in the afternoon and the fog has returned. It hangs lightly over the land, which is brown and wide and bare. The campground looks, with the fog, like a medieval battleground, desolate and ready to host the deaths of men.
Rita sits with Jerry on rocks the size and shape of beanbags while their tents are assembled. Mike is lying on the ground, on his backpack, and he looks to Rita much like what a dead person would look like. Mike is almost blue, and is breathing in a hollow way that she hasn’t heard before. His walking stick extends from his armpit in a way that looks like he’s been lanced from behind.
“Oh Ashley!” he says to his tapeworm, or whatever it is. “Why’re you doing this to me, Ashley?”
Far off into the mist, there is a song being sung. The words sound German, and soon they break apart into laughter. Closer to where she’s sitting, Rita can hear an erratic and small sound, a tocking sound, punctuated periodically by low cheers.
The mist soon lifts and Rita sees Grant, who has already assembled his tent, surrounded by porters. He and a very young man, the youngest and thinnest she’s seen, are playing a tennis-like game, using thin wooden paddles to keep a small blue ball in the air. Grant is barefoot and is grinning.
“There he is,” says Jerry. “Saint Grant of the porters!”
At dinner the food is the same—cold noodles, white rice, potatoes, but tonight, instead of orange slices there is watermelon, sliced into