McSweeney's Mammoth Treasury of Thrilling Tales - Michael Chabon [25]
The hatch door of the Velocerator sealed closed with a pressurized sigh. And then, slowly, the walls they were strapped to began to turn. Gene tightened on DJ’s hand as they began to rotate, gathering speed. After a moment the wall pads they were strapped to slid up, and the force of velocity pushed them back, held to the surface of the spinning wall like iron to a magnet. Gene’s cheeks and lips seemed to pull back, and the sensation of helplessness made him laugh.
At that moment, DJ began to scream. “No! No! Stop! Make it stop!” They were terrible shrieks, and Gene grabbed the child’s hand tightly. “It’s all right,” he yelled jovially over the thump of the music. “It’s okay! I’m right here!” But the child’s wailing only got louder in response. The scream seemed to whip past Gene in a circle, tumbling around and around the circumference of the ride like a spirit, trailing echos as it flew. When the machine finally stopped, DJ was heaving with sobs, and the man at the control panel glared. Gene could feel the other passengers staring grimly and judgmentally at him.
Gene felt horrible. He had been so happy—thinking that they were finally having themselves a memorable father-and-son moment— and he could feel his heart plunging into darkness. DJ kept on weeping, even as they left the ride and walked along the midway, even as Gene tried to distract him with promises of cotton candy and stuffed animals. “I want to go home,” DJ cried, and, “I want my mom! I want my mom!” And it had wounded Gene to hear that. He gritted his teeth.
“Fine!” he hissed. “Let’s go home to your mommy, you little cry-baby. I swear to God, I’m never taking you with me anywhere again.” And he gave DJ a little shake. “Jesus, what’s wrong with you? Lookit, people are laughing at you. See? They’re saying, ‘Look at that big boy, bawling like a girl.’”
This memory comes to him out of the blue. He had forgotten all about it, but now it comes to him over and over. Those screams were not unlike the sounds Frankie makes in the middle of the night, and they pass repeatedly through the membrane of his thoughts, without warning. The next day, he finds himself recalling it again, the memory of the scream impressing his mind with such force that he actually has to pull his UPS truck off to the side of the road and put his face in his hands: Awful! Awful! He must have seemed like a monster to the child.
Sitting there in his van, he wishes he could find a way to contact them—Mandy and DJ. He wishes that he could tell them how sorry he is, and send them money. He puts his fingertips against his forehead, as cars drive past on the street, as an old man parts the curtains and peers out of the house Gene is parked in front of, hopeful that Gene might have a package for him.
Where are they? Gene wonders. He tries to picture a town, a house, but there is only a blank. Surely, Mandy being Mandy, she would have hunted him down by now to demand child support. She would have relished treating him like a deadbeat dad; she would have hired some company who would garnish his wages.
Now, sitting at the roadside, it occurs to him suddenly that they are dead. He recalls the car wreck that he was in, just outside Des Moines, and if he had been killed they would have never known. He recalls waking up in the hospital, and the elderly nurse who had said, “You’re very lucky, young man. You should be dead.”
Maybe they are dead, he thinks. Mandy and DJ. The idea strikes him a glancing blow, because of course it would make sense. The reason they’d never contacted him. Of course.
He doesn’t know what to do with such premonitions.