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Memoirs of Extraordinary Popular Delusions-3 [139]

By Root 4522 0
of their separate spheres, and the power and goodness of the God who made them. Time and space are to them as if annihilated -- nothing is hidden from them -- past, present, or future. They divine the laws by which the universe is upheld, and snatch the secrets of the Creator from the darkness in which, to all other men, it is enveloped. For the last twenty or thirty years these daring and blasphemous notions have flourished in rank luxuriance; and men of station in society, learning, and apparent good sense in all the usual affairs of life, have publicly given in their adhesion, and encouraged the doctrine by their example, or spread it abroad by their precepts. That the above summary of their tenets may not he deemed an exaggeration we enter into particulars, and refer the incredulous that human folly in the present age could ever be pushed so far, to chapter and verse for every allegation.

In a work published in Germany in 1817, by J. A. L. Richter, entitled "Considerations on Animal Magnetism," the author states that in magnetism is to be found the solution of the enigmas of human existence, and particularly the enigmas of Christianity, on the mystic and obscure parts of which it throws a light which permits us to gaze clearly on the secrets of the mystery. Wolfart's "Annals of Animal Magnetism" abound with similar passages; and Kluge's celebrated work is written in the same spirit. "Such is the wonderful sympathy," says the latter, "between the magnetiser and the somnambulist that he has known the latter to vomit and be purged in consequence of medicine which the former had taken. Whenever he put pepper on his tongue, or drank wine, the patient could taste these things distinctly on her palate." But Kerner's history of the case of Madame Hauffe, the famous magnetic woman, "Seer" or "Prophetess of Prevorst," Will give a more complete and melancholy proof of the sad wanderings of these German "men of science," than any random selections we might make from their voluminous works. This work was published in two volumes, and the authenticity of its details supported by Gorres, Eschenmeyer, and other men of character and reputation in Germany: it is said to have had an immense sale. She resided in the house of Kerner, at Weinsberg; and being weak and sickly, was very easily thrown into a state of somnambulism. "She belonged," says Kerner, "to a world of spirits; she was half spirit herself; she belonged to the region beyond death, in which she already half existed. * * * Her body clothed her spirit like a thin veil. * * * She was small and slightly made, had an Oriental expression of countenance, and the piercing eyes of a prophet, the gleams of which were increased in their power and beauty by her long dark eyebrows and eyelashes. She was a flower of light, living upon sunbeams. * * * Her spirit often seemed to be separated from her frame. The spirits of all things, of which mankind in general have no perception, were perceptible to and operated upon her, more particularly the spirits of metals, herbs, men, and animals. All imponderable matters, even the rays of light, had an effect upon her when she was magnetised." The smell of flint was very agreeable to her. Salt laid on her hand caused a flow of saliva: rock crystal laid on the pit of her stomach produced rigidity of the whole body. Red grapes produced certain effects, if placed in her hands; white grapes produced different effects. The bone of an elk would throw her into an epileptic fit. The tooth of a mammoth produced a feeling of sluggishness. A spider's web rolled into a ball produced a prickly feeling in the hands, and a restlessness in the whole body. Glow-worms threw her into the magnetic sleep. Music somnambulised her. When she wanted to be cheerful, she requested Kerner to magnetise the water she drank, by playing the Jew's-harp. She used to say in her sleep, "Magnetise the water by seven vibrations of the harp." If she drank water magnetised in this manner, she was constrained involuntarily to pour forth her soul in song. The eyes of many men threw
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