Men, Women and Ghosts [11]
Herr Altgelt had been practising before The night's performance. Charlotta had plead With him to stay with her. Even at the door She'd begged him not to go. "I do implore You for this evening, Theodore," she had said. "Leave them to-night, and stay with me instead."
"A silly poppet!" Theodore pinched her ear. "You'd like to have our good Elector turn Me out I think." "But, Theodore, something queer Ails me. Oh, do but notice how they burn, My cheeks! The thunder worried me. You're stern, And cold, and only love your work, I know. But Theodore, for this evening, do not go."
But he had gone, hurriedly at the end, For she had kept him talking. Now she sat Alone again, always alone, the trend Of all her thinking brought her back to that She wished to banish. What would life be? What? For she was young, and loved, while he was moved Only by music. Each day that was proved.
Each day he rose and practised. While he played, She stopped her work and listened, and her heart Swelled painfully beneath her bodice. Swayed And longing, she would hide from him her smart. "Well, Lottchen, will that do?" Then what a start She gave, and she would run to him and cry, And he would gently chide her, "Fie, Dear, fie.
I'm glad I played it well. But such a taking! You'll hear the thing enough before I've done." And she would draw away from him, still shaking. Had he but guessed she was another one, Another violin. Her strings were aching, Stretched to the touch of his bow hand, again He played and she almost broke at the strain.
Where was the use of thinking of it now, Sitting alone and listening to the clock! She'd best make haste and knit another row. Three hours at least must pass before his knock Would startle her. It always was a shock. She listened -- listened -- for so long before, That when it came her hearing almost tore.
She caught herself just starting in to listen. What nerves she had: rattling like brittle sticks! She wandered to the window, for the glisten Of a bright moon was tempting. Snuffed the wicks Of her two candles. Still she could not fix To anything. The moon in a broad swath Beckoned her out and down the garden-path.
Against the house, her hollyhocks stood high And black, their shadows doubling them. The night Was white and still with moonlight, and a sigh Of blowing leaves was there, and the dim flight Of insects, and the smell of aconite, And stocks, and Marvel of Peru. She flitted Along the path, where blocks of shadow pitted
The even flags. She let herself go dreaming Of Theodore her husband, and the tune From `Orfeo' swam through her mind, but seeming Changed -- shriller. Of a sudden, the clear moon Showed her a passer-by, inopportune Indeed, but here he was, whistling and striding. Lotta squeezed in between the currants, hiding.
"The best laid plans of mice and men," alas! The stranger came indeed, but did not pass. Instead, he leant upon the garden-gate, Folding his arms and whistling. Lotta's state, Crouched in the prickly currants, on wet grass, Was far from pleasant. Still the stranger stayed, And Lotta in her currants watched, dismayed.
He seemed a proper fellow standing there In the bright moonshine. His cocked hat was laced With silver, and he wore his own brown hair Tied, but unpowdered. His whole bearing graced A fine cloth coat, and ruffled shirt, and chased Sword-hilt. Charlotta looked, but her position Was hardly easy. When would his volition
Suggest his walking on? And then that tune! A half-a-dozen bars from `Orfeo' Gone over and over, and murdered. What Fortune Had brought him there to stare about him so? "Ach, Gott im Himmel! Why will he not go!" Thought Lotta, but the young man whistled on, And seemed in no great hurry to be gone.
Charlotta, crouched among the currant bushes, Watched the moon slowly dip from twig to twig. If Theodore should chance to come, and blushes Streamed over her. He would not care a fig, He'd only laugh. She pushed aside a sprig Of sharp-edged leaves and peered, then she uprose Amid her bushes. "Sir,"
"A silly poppet!" Theodore pinched her ear. "You'd like to have our good Elector turn Me out I think." "But, Theodore, something queer Ails me. Oh, do but notice how they burn, My cheeks! The thunder worried me. You're stern, And cold, and only love your work, I know. But Theodore, for this evening, do not go."
But he had gone, hurriedly at the end, For she had kept him talking. Now she sat Alone again, always alone, the trend Of all her thinking brought her back to that She wished to banish. What would life be? What? For she was young, and loved, while he was moved Only by music. Each day that was proved.
Each day he rose and practised. While he played, She stopped her work and listened, and her heart Swelled painfully beneath her bodice. Swayed And longing, she would hide from him her smart. "Well, Lottchen, will that do?" Then what a start She gave, and she would run to him and cry, And he would gently chide her, "Fie, Dear, fie.
I'm glad I played it well. But such a taking! You'll hear the thing enough before I've done." And she would draw away from him, still shaking. Had he but guessed she was another one, Another violin. Her strings were aching, Stretched to the touch of his bow hand, again He played and she almost broke at the strain.
Where was the use of thinking of it now, Sitting alone and listening to the clock! She'd best make haste and knit another row. Three hours at least must pass before his knock Would startle her. It always was a shock. She listened -- listened -- for so long before, That when it came her hearing almost tore.
She caught herself just starting in to listen. What nerves she had: rattling like brittle sticks! She wandered to the window, for the glisten Of a bright moon was tempting. Snuffed the wicks Of her two candles. Still she could not fix To anything. The moon in a broad swath Beckoned her out and down the garden-path.
Against the house, her hollyhocks stood high And black, their shadows doubling them. The night Was white and still with moonlight, and a sigh Of blowing leaves was there, and the dim flight Of insects, and the smell of aconite, And stocks, and Marvel of Peru. She flitted Along the path, where blocks of shadow pitted
The even flags. She let herself go dreaming Of Theodore her husband, and the tune From `Orfeo' swam through her mind, but seeming Changed -- shriller. Of a sudden, the clear moon Showed her a passer-by, inopportune Indeed, but here he was, whistling and striding. Lotta squeezed in between the currants, hiding.
"The best laid plans of mice and men," alas! The stranger came indeed, but did not pass. Instead, he leant upon the garden-gate, Folding his arms and whistling. Lotta's state, Crouched in the prickly currants, on wet grass, Was far from pleasant. Still the stranger stayed, And Lotta in her currants watched, dismayed.
He seemed a proper fellow standing there In the bright moonshine. His cocked hat was laced With silver, and he wore his own brown hair Tied, but unpowdered. His whole bearing graced A fine cloth coat, and ruffled shirt, and chased Sword-hilt. Charlotta looked, but her position Was hardly easy. When would his volition
Suggest his walking on? And then that tune! A half-a-dozen bars from `Orfeo' Gone over and over, and murdered. What Fortune Had brought him there to stare about him so? "Ach, Gott im Himmel! Why will he not go!" Thought Lotta, but the young man whistled on, And seemed in no great hurry to be gone.
Charlotta, crouched among the currant bushes, Watched the moon slowly dip from twig to twig. If Theodore should chance to come, and blushes Streamed over her. He would not care a fig, He'd only laugh. She pushed aside a sprig Of sharp-edged leaves and peered, then she uprose Amid her bushes. "Sir,"