Men, Women and Ghosts [18]
when he knocked. His state Was like a flabby orange whose crushed skin Is thin with pulling, and all dented in.
He practised every morning and her heart Followed his bow. But often she would sit, While he was playing, quite withdrawn apart, Absently fingering and touching it, The locket, which now seemed to her a bit Of some gone youth. His music drew her tears, And through the notes he played, her dreading ears
Heard Heinrich's voice, saying he had not changed; Beer merchants had no ecstasies to take Their minds off love. So far her thoughts had ranged Away from her stern vow, she chanced to take Her way, one morning, quite by a mistake, Along the street where Heinrich had his shop. What harm to pass it since she should not stop!
It matters nothing how one day she met Him on a bridge, and blushed, and hurried by. Nor how the following week he stood to let Her pass, the pavement narrowing suddenly. How once he took her basket, and once he Pulled back a rearing horse who might have struck Her with his hoofs. It seemed the oddest luck
How many times their business took them each Right to the other. Then at last he spoke, But she would only nod, he got no speech From her. Next time he treated it in joke, And that so lightly that her vow she broke And answered. So they drifted into seeing Each other as before. There was no fleeing.
Christmas was over and the Carnival Was very near, and tripping from each tongue Was talk of the new opera. Each book-stall Flaunted it out in bills, what airs were sung, What singers hired. Pictures of the young "Maestro" were for sale. The town was mad. Only Charlotta felt depressed and sad.
Each day now brought a struggle 'twixt her will And Heinrich's. 'Twixt her love for Theodore And him. Sometimes she wished to kill Herself to solve her problem. For a score Of reasons Heinrich tempted her. He bore Her moods with patience, and so surely urged Himself upon her, she was slowly merged
Into his way of thinking, and to fly With him seemed easy. But next morning would The Stradivarius undo her mood. Then she would realize that she must cleave Always to Theodore. And she would try To convince Heinrich she should never leave, And afterwards she would go home and grieve.
All thought in Munich centered on the part Of January when there would be given `Idomeneo' by Wolfgang Mozart. The twenty-ninth was fixed. And all seats, even Those almost at the ceiling, which were driven Behind the highest gallery, were sold. The inches of the theatre went for gold.
Herr Altgelt was a shadow worn so thin With work, he hardly printed black behind The candle. He and his old violin Made up one person. He was not unkind, But dazed outside his playing, and the rind, The pine and maple of his fiddle, guarded A part of him which he had quite discarded.
It woke in the silence of frost-bright nights, In little lights, Like will-o'-the-wisps flickering, fluttering, Here -- there -- Spurting, sputtering, Fading and lighting, Together, asunder -- Till Lotta sat up in bed with wonder, And the faint grey patch of the window shone Upon her sitting there, alone. For Theodore slept.
The twenty-eighth was last rehearsal day, 'Twas called for noon, so early morning meant Herr Altgelt's only time in which to play His part alone. Drawn like a monk who's spent Himself in prayer and fasting, Theodore went Into the kitchen, with a weary word Of cheer to Lotta, careless if she heard.
Lotta heard more than his spoken word. She heard the vibrating of strings and wood. She was washing the dishes, her hands all suds, When the sound began, Long as the span Of a white road snaking about a hill. The orchards are filled With cherry blossoms at butterfly poise. Hawthorn buds are cracking, And in the distance a shepherd is clacking His shears, snip-snipping the wool from his sheep. The notes are asleep, Lying adrift on the air In level lines Like sunlight hanging in pines and pines, Strung and threaded, All imbedded
He practised every morning and her heart Followed his bow. But often she would sit, While he was playing, quite withdrawn apart, Absently fingering and touching it, The locket, which now seemed to her a bit Of some gone youth. His music drew her tears, And through the notes he played, her dreading ears
Heard Heinrich's voice, saying he had not changed; Beer merchants had no ecstasies to take Their minds off love. So far her thoughts had ranged Away from her stern vow, she chanced to take Her way, one morning, quite by a mistake, Along the street where Heinrich had his shop. What harm to pass it since she should not stop!
It matters nothing how one day she met Him on a bridge, and blushed, and hurried by. Nor how the following week he stood to let Her pass, the pavement narrowing suddenly. How once he took her basket, and once he Pulled back a rearing horse who might have struck Her with his hoofs. It seemed the oddest luck
How many times their business took them each Right to the other. Then at last he spoke, But she would only nod, he got no speech From her. Next time he treated it in joke, And that so lightly that her vow she broke And answered. So they drifted into seeing Each other as before. There was no fleeing.
Christmas was over and the Carnival Was very near, and tripping from each tongue Was talk of the new opera. Each book-stall Flaunted it out in bills, what airs were sung, What singers hired. Pictures of the young "Maestro" were for sale. The town was mad. Only Charlotta felt depressed and sad.
Each day now brought a struggle 'twixt her will And Heinrich's. 'Twixt her love for Theodore And him. Sometimes she wished to kill Herself to solve her problem. For a score Of reasons Heinrich tempted her. He bore Her moods with patience, and so surely urged Himself upon her, she was slowly merged
Into his way of thinking, and to fly With him seemed easy. But next morning would The Stradivarius undo her mood. Then she would realize that she must cleave Always to Theodore. And she would try To convince Heinrich she should never leave, And afterwards she would go home and grieve.
All thought in Munich centered on the part Of January when there would be given `Idomeneo' by Wolfgang Mozart. The twenty-ninth was fixed. And all seats, even Those almost at the ceiling, which were driven Behind the highest gallery, were sold. The inches of the theatre went for gold.
Herr Altgelt was a shadow worn so thin With work, he hardly printed black behind The candle. He and his old violin Made up one person. He was not unkind, But dazed outside his playing, and the rind, The pine and maple of his fiddle, guarded A part of him which he had quite discarded.
It woke in the silence of frost-bright nights, In little lights, Like will-o'-the-wisps flickering, fluttering, Here -- there -- Spurting, sputtering, Fading and lighting, Together, asunder -- Till Lotta sat up in bed with wonder, And the faint grey patch of the window shone Upon her sitting there, alone. For Theodore slept.
The twenty-eighth was last rehearsal day, 'Twas called for noon, so early morning meant Herr Altgelt's only time in which to play His part alone. Drawn like a monk who's spent Himself in prayer and fasting, Theodore went Into the kitchen, with a weary word Of cheer to Lotta, careless if she heard.
Lotta heard more than his spoken word. She heard the vibrating of strings and wood. She was washing the dishes, her hands all suds, When the sound began, Long as the span Of a white road snaking about a hill. The orchards are filled With cherry blossoms at butterfly poise. Hawthorn buds are cracking, And in the distance a shepherd is clacking His shears, snip-snipping the wool from his sheep. The notes are asleep, Lying adrift on the air In level lines Like sunlight hanging in pines and pines, Strung and threaded, All imbedded