Michael [18]
dear, he won't need backing up. He's a match for you by himself. But if Michael, after thoroughly worsting you, asks me my opinion, I shall certainly give it him. But he won't ask my opinion first. He will strew your limbs, Robert, over this delightful terrace."
"Michael's train is late," said Lady Ashbridge, hearing the stable clock strike. "He should have been here before this."
Barbara had still a word to say, and disregarded this quencher.
"But don't think, Robert," she said, "that because Michael resists your wishes and authority, he will be enjoying himself. He will hate doing it, but that will not stop him."
Lord Ashbridge was not a bully; he had merely a profound sense of his own importance.
"We will see about resistance," he said.
Barbara was not so successful on this occasion, and exploded loudly:
"You will, dear, indeed," she said.
Michael meantime had been travelling down from London without perturbing himself over the scene with his father which he knew lay before him. This was quite characteristic of him; he had a singular command over his imagination when he had made up his mind to anything, and never indulged in the gratuitous pain of anticipation. Today he had an additional bulwark against such self-inflicted worries, for he had spent his last two hours in town at the vocal recital of a singer who a month before had stirred the critics into rhapsody over her gift of lyric song. Up till now he had had no opportunity of hearing her; and, with the panegyrics that had been showered on her in his mind, he had gone with the expectation of disappointment. But now, an hour afterwards, the wheels of the train sang her songs, and in the inward ear he could recapture, with the vividness of an hallucination, the timbre of that wonderful voice and also the sweet harmonies of the pianist who accompanied her.
The hall had been packed from end to end, and he had barely got to his seat, the only one vacant in the whole room, when Miss Sylvia Falbe appeared, followed at once by her accompanist, whose name occurred nowhere on the programme. Two neighbours, however, who chatted shrilly during the applause that greeted them, informed him that this was Hermann, "dear Hermann; there is no one like him!" But it occurred to Michael that the singer was like him, though she was fair and he dark. But his perception of either of them visually was but vague; he had come to hear and not to see. Neither she nor Hermann had any music with them, and Hermann just glanced at the programme, which he put down on the top of the piano, which, again unusually, was open. Then without pause they began the set of German songs--Brahms, Schubert, Schumann--with which the recital opened. And for one moment, before he lost himself in the ecstasy of hearing, Michael found himself registering the fact that Sylvia Falbe had one of the most charming faces he had ever seen. The next he was swallowed up in melody.
She had the ease of the consummate artist, and each note, like the gates of the New Jerusalem, was a pearl, round and smooth and luminous almost, so that it was as if many-coloured light came from her lips. Nor was that all; it seemed as if the accompaniment was made by the song itself, coming into life with the freshness of the dawn of its creation; it was impossible to believe that one mind directed the singer and another the pianist, and if the voice was an example of art in excelsis, not less exalted was the perfection of the player. Not for a moment through the song did he take his eyes off her; he looked at her with an intensity of gaze that seemed to be reading the emotion with which the lovely melody filled her. For herself, she looked straight out over the hall, with grey eyes half-closed, and mouth that in the pauses of her song was large and full-lipped, generously curving, and face that seemed lit with the light of the morning she sang of. She was the song; Michael thought of her as just that, and the pianist who watched and understood her so unerringly was the song, too. They had for
"Michael's train is late," said Lady Ashbridge, hearing the stable clock strike. "He should have been here before this."
Barbara had still a word to say, and disregarded this quencher.
"But don't think, Robert," she said, "that because Michael resists your wishes and authority, he will be enjoying himself. He will hate doing it, but that will not stop him."
Lord Ashbridge was not a bully; he had merely a profound sense of his own importance.
"We will see about resistance," he said.
Barbara was not so successful on this occasion, and exploded loudly:
"You will, dear, indeed," she said.
Michael meantime had been travelling down from London without perturbing himself over the scene with his father which he knew lay before him. This was quite characteristic of him; he had a singular command over his imagination when he had made up his mind to anything, and never indulged in the gratuitous pain of anticipation. Today he had an additional bulwark against such self-inflicted worries, for he had spent his last two hours in town at the vocal recital of a singer who a month before had stirred the critics into rhapsody over her gift of lyric song. Up till now he had had no opportunity of hearing her; and, with the panegyrics that had been showered on her in his mind, he had gone with the expectation of disappointment. But now, an hour afterwards, the wheels of the train sang her songs, and in the inward ear he could recapture, with the vividness of an hallucination, the timbre of that wonderful voice and also the sweet harmonies of the pianist who accompanied her.
The hall had been packed from end to end, and he had barely got to his seat, the only one vacant in the whole room, when Miss Sylvia Falbe appeared, followed at once by her accompanist, whose name occurred nowhere on the programme. Two neighbours, however, who chatted shrilly during the applause that greeted them, informed him that this was Hermann, "dear Hermann; there is no one like him!" But it occurred to Michael that the singer was like him, though she was fair and he dark. But his perception of either of them visually was but vague; he had come to hear and not to see. Neither she nor Hermann had any music with them, and Hermann just glanced at the programme, which he put down on the top of the piano, which, again unusually, was open. Then without pause they began the set of German songs--Brahms, Schubert, Schumann--with which the recital opened. And for one moment, before he lost himself in the ecstasy of hearing, Michael found himself registering the fact that Sylvia Falbe had one of the most charming faces he had ever seen. The next he was swallowed up in melody.
She had the ease of the consummate artist, and each note, like the gates of the New Jerusalem, was a pearl, round and smooth and luminous almost, so that it was as if many-coloured light came from her lips. Nor was that all; it seemed as if the accompaniment was made by the song itself, coming into life with the freshness of the dawn of its creation; it was impossible to believe that one mind directed the singer and another the pianist, and if the voice was an example of art in excelsis, not less exalted was the perfection of the player. Not for a moment through the song did he take his eyes off her; he looked at her with an intensity of gaze that seemed to be reading the emotion with which the lovely melody filled her. For herself, she looked straight out over the hall, with grey eyes half-closed, and mouth that in the pauses of her song was large and full-lipped, generously curving, and face that seemed lit with the light of the morning she sang of. She was the song; Michael thought of her as just that, and the pianist who watched and understood her so unerringly was the song, too. They had for