Micro - Michael Crichton [22]
“This is my brother’s—”
“I heard you the first time. Your brother’s boat. You see all that yellow tape? I know you do, and I also know you can read it, ’cause you told me you’re not illiterate. Isn’t that right?”
“Yes.”
“So that’s a crime scene, and you got no business up there. Now you get the hell down right away, and go to the office and register, and show us some identification. You have identification?”
“Yes.”
“Okay then. Get down off of there, and stop wasting my time.” The man stalked off.
Peter climbed down the ladder on the far side of the boat. As he came near the ground, he heard a gruff male voice say, “Can I help you, Miss?” And a woman’s voice answered, “Yes, I’m looking for a Boston Whaler the Coast Guard brought in.”
It was Alyson’s voice.
He paused, hidden from view by the hull of the boat.
“Goddamn,” the man said. “What is it about that fricking boat? Gets more visitors than a rich uncle on his deathbed.”
“How’s that?” she said.
“Well, yesterday some guy shows up, claiming it was his boat, ’cept he had no identification, so I told him to get lost. The things people try! Then this morning we have some young guy, claiming it was his brother’s boat, I had to get him out of the cockpit, and now we got you. What is it about that boat?”
“I really couldn’t say,” Alyson said. “Myself, I just left something on the boat, and I wanted to get it back.”
“No chance of that. Not unless you got a letter of authorization from the police. Do you?”
“Well, no…”
“Sorry. That’s a crime scene, like I told the young guy.”
“Where is this guy?” she asked.
“He was coming down the ladder. Probably still on the other side of the boat. He’ll be along. Want to come inside the office?”
“Why would I do that?”
“We can call the police, see if they’ll give you a waiver to get your stuff off the boat.”
“That seems like a lot of trouble. It’s just my, well, it’s my watch. I took it off my wrist…”
“No trouble.”
“I guess I could buy another one. It did cost a bit—”
“Uh-huh.”
“I thought it would be easy.”
“Well, suit yourself. But you still better sign in.”
“I don’t see why.”
“You’re supposed to.”
“I don’t think so,” she said. “I don’t want to get mixed up in any police thing.”
Peter waited a few minutes, then heard the man say, “You can come out, son.”
He came out from behind the hull. There was no sign of Alyson in the yard. The heavyset man looked at him quizzically, head cocked to one side. “Didn’t want to run into her?”
“We don’t get along,” Peter said.
“I figured.”
“You want me to sign in?”
The man nodded slowly. “Yes, please.”
So Peter went into the office and signed in. He couldn’t see what difference it made. Alyson Bender already knew he had gone to the boat, and therefore she already knew he suspected something. From this point on, he would have to move fast.
By the end of the day, he thought, he had to be finished.
He went back to his hotel room, where he found an e-mail from Jorge on his laptop, with no text. Instead there were three .wav files, sent as attachments. One was a recording of Alyson Bender’s call to Vin Drake. And there were two new files. He listened to them. They were recordings of two phone calls Alyson had made from her cell phone in the hours after Eric had disappeared. Both calls seemed fairly routine. In the first call, Alyson had phoned somebody, perhaps in a Nanigen purchasing department, and asked for a new budget breakdown. In the second call, she had spoken briefly with another person, a man, perhaps an accountant, on the subject of expenses.
ALYSON: Omicron has lost two more, uh, prototypes.
OTHER PERSON: What happened?
ALYSON: They didn’t tell me. Vin Drake wants you to account for this as an ordinary research expense, not a capital write-down.
OTHER PERSON: The loss of two Hellstorms? But that’s a big cost—the Davros people—
ALYSON: Just call it research, okay?
OTHER PERSON: Of course.
Peter saved the files after listening to them, but they didn’t make sense or reveal anything he could use. He also saved the telephone